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Director Danny Boyle's dramatic thriller chronicles the hours of Aron
Ralston and his battle with a lodged rock that sealed his fate and
brought Aron down to Earth to come to grips with his own life and
mortality. Much like "In to the Wild," director Boyle takes what was
something of an already interesting story and turns it in to much than
an experience by altering it in to a surreal and somewhat spiritual look
back at a young man whose life has been filled with excitement and
adventure that he used as a form of coping with his inability to allow
people to connect to him as he connected to nature and the wilderness.
And much like Sean Penn accomplished with "In to the Wild," he manages
to take an accident and uses it as a form of expressing the ideas of
fate, coincidence, and the afterlife and a person communing with and
ultimately becoming one with the environment around him. In the context
of Aron Ralston, he is a man who is comfortable with the world around
him and he feels very serene whenever he's in the rocky canyons or snowy
cliffs of the world where he's allowed to roam free and do as he
pleases. Boyle brings us down to Ralston's world where he's a man so
obsessed with his own journey in to the wilderness that he completely
dismisses everything around him including phones, television, and music,
and instead packs up for a day riding the rocks and exploring himself,
often looking for something he's hoping to find that will completely
change his life.
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Aron is a man who, while
comfortable with the wilderness, is still very much a closed
off man out of touch with society, which is indicated by his
chance encounter with two beautiful travelers (Kate Mara and
Amber Tamblyn), both of whom are hesitant to follow him when
he offers to bring them to their destination, but grow
comfortable when his enthusiasm and daring is expressed in
his willingness to climb between two narrow cliffs diving in
to a large body of water, and then tries to influence the
women in to doing the same, leading in to a very picturesque
moment in his life that both women know will never be caught
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Even when inviting
him to a party, and taking one final foreboding picture with him,
they both know he'll never make the final connection with them and
become anything more than an attractive tour guide. And in a sense
Aron knows that, too. A moment of hubris and arrogance however
causes him to fall in to a small pit where his hand is firmly lodged
under a large rock and he is stuck, left to die and running low on
food and water. While the film could have been a grueling ninety
minute exercise in human torment, Boyle instead chooses to explore
the more eye opening aspect of this face to face encounter with
death as Aron is left on his own to deal with starvation,
dehydration, isolation, claustrophobia, and sheer desperation all of
which lead to a sense of enlightenment for a man so out in the open
but so closed off from everything the world offers him.
Boyle is never afraid to
get surreal, as is the usual Boyle personal stamp, as Aron ponders on past
relationships, hosts his own one man interview, and savors an imaginary
trek to the party where he indulges in Mountain Dew and beer. Boyle
suggests with this re-enactment that fate played a big hand in Aron's
accident, and that his loss of his own arm was an offering to nature (or
God, whatever you prefer) after taking so much from the world, and as
only part of a man he could live on truly whole and fulfill his inner
most desires that don't entirely involve climbing down cliffs. "127
Hours" is an enriching and heartbreaking drama filled with
self-reflection and stunning visuals, all the while James Franco gives a
wonderful performance as Aron, holding the weight of the movie on his
shoulders with his performance that consumes 80 percent of the film.
Sometimes stories of hope can serve a purpose, and this one is
definitely needed.
Gruesome and disturbing
but heartbreaking and uplifting, "127 Hours" is an excellent adaptation
of Aron Ralston's significant confrontation with a large rock that
changed his life and caused him to appreciate and respect his world a
little more. Boyle's direction is sharp, Franco's performance is
excellent, and this is a top ten of 2010 candidate for sure.
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