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One of the benefits of "The A-Team" is that you can bask in the sheer
idiocy of the story as most of the fans of the series did. Where in the
original had four grown men in a black van storming through gates and
beating people up, this one has a guy shooting from a tank dropping down
to Earth and shooting down fighter planes. It also has a goofy 3D gag
involving a truck that is pretty memorable. When all is said and done
"The A-Team" doesn't really want to re-invent the wheel, but instead
just seeks to pay homage to the dumb original series that starred Mr. T
and made him an eighties sensation. After the A-Team become the handymen
of the government who do the dirty work and pull off missions without
fail, a botched grab of stolen currency results in the death of a
military official and they're officially jailed and disbanded shun in to
obscurity. Years later when Hannibal is offered a chance to bring
dignity back to his name, he breaks his men out of confinement to find
out who set them up, and how to bring respect back to their names. This
time around instead of television veterans, we're given up and coming
and seasoned actors all of whom take hold of the mantles left behind by
legends.
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The casting of the four key players is rather inspiring as
Quinton Jackson is entertaining as Baracus along with Liam
Neeson doing a fine job as Hannibal Smith.
The two stand
outs though are Bradley Cooper as Face, given much more
importance and relevance beyond comic relief, now playing a
sly slick agent who slowly learns to take control of the
A-Team and lead them in to missions as Hannibal slowly
passes on to him leadership. |
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And Sharlto
Copley is a scene stealer as the maniacal Murdock, the insane
helicopter pilot who may very well be one inch away from being
locked in a rubber room, but is at home in the middle of gunfire and
explosions, all insane environments. and is hopeless without his
teammates. In the same vein Patrick Wilson is effective as the
resident villain, a scheming and slick businessman who takes
advantage of a golden opportunity to market on the government and
does so through deadly force, and his rivalry with the A-Team that
leads to a pretty entertaining showdown. Beyond that "The A-Team"
doesn't seek to be much more beyond a series of eye rolling action
set pieces, and Joe Carnahan stages them with his usual finesse and
swooping pans that promise to suck the audience in at every turn.
The entire
time I was watching "The A-Team," I kept asking myself over and over
"Does this movie really need to be so complicated?" The entire movie
watches like a heist film that thinks it's cleverer than we realize
it to be, but should we have so much plot twists and such a complex
plot for a movie based on a series from the eighties about four guys
who drive around in a black pedo van and fight bad guys? Seriously?
From what I've heard on the internet, this adaptation went through
constant re-writes and had about five screenwriters going through
drafts to get it just right and boy does it show. Carnahan and co.
take some of the wildest decisions during the action scenes that are
not only disorienting but distracting. All of the major action
sequences are intercut with scenes of the characters explaining the
movements of every person inch by inch through models and props and
while they think this will be stylish, it's instead a clear
indicator that the writers are aware we'll have no idea what is
happening during the large moments of the movie. Meanwhile, the plot
is hopelessly (and sometimes ridiculously) convoluted and muddled to
where it feels like three different films altogether.
Sometimes it's a spy
movie about the CIA, and covert ops, and revenge, sometimes it's a
buddy action movie with bromance dialogue thrown in every so often
to keep us awake, and sometimes it's a dumb cheesy action film. How
else to explain the sequence of Face shooting a machine gun at the
top of a tank in mid-air at figher jets (something that screams dumb
but fun), and then the climax involves a ridiculous slight of hand
sting that is lacking in real action of fighting and more focused on
imitating David Mamet? And did anyone ever really figure out the
entire frame job involving the plates? I sure didn't. Jessica Biel
has little to nothing to do here beyond playing a bland love
interest, the winks at the television series induce eye rolls, and I
never actually figured out who in the movie was a villain and who
was just misunderstood. "The A-Team" is the result of too many cooks
in the kitchen (the first twenty minutes are the intro, but the
frame job is the actual intro, but no the climax reveals this is
more of a prequel, how not confusing!), and can only ride on our
nostalgia for too long before the audience decides it's a tiresome
and often confusing mess of an action film that can never be sure if
it wants to re-work the material in to something adult, or appeal to
the young crowds with dumb action fun.
Joe Carnahan's
adaptation is two separate movies. On one side, it's a fun and cheesy
actioner that pays tribute to the action tropes of the original series,
and on the flipside it's a clumsy, convoluted, and ridiculously
complicated heist film that wastes genuine talent like Shartlo Copley
and Liam Neeson with it's confused and scattered screenplay.
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