AMAZING SPIDER-MAN #556
Momar Van Der Camp

 

Written by Zeb Wells
Art by Chris Bachalo

Spider-man in a wicked Mayan god influenced snowstorm in April tries to find a way not to freeze to death while searching for some captured scientists. Craziness ensues.

Commentary:
Not much to go on with this issue. The one biggest problem facing the Spider-office these days is crafting a well thought out, well written story about a single Spidey who is facing what every single Spider-man should. Money woes. Women trouble. The OCCASIONAL villain fight.

Instead, we get a Mayan snowstorm and crazed mathematicians who kill Mayan ninjas in order to defeat a Mayan god, and Spidey stuffing his costume with scraps of the DB (the "new" Daily Bugle).

None of this is what people want to see when they see a Single Peter. He's still friends with the Avengers (hell, he's still a member) and he still has Doc Strange and Wolverine to call on whenever he wants. He is in costume through out this entire issue and the previous issue, and still, not much happens. He fights what amounts to a creepier looking version of Sigourney Weaver from Ghostbusters (with the same Are you the Keymaster type dialogue) and gets caught up with a kooky homeless guy on the run from SHIELD for whatever reason and we get some miniscule background on Carlie (supposedly a love interest) and her cop friend Vin who may become Pete's roomie.

Stupid.

I love Zeb Wells, ever since his work became more polished around the time he did New Warriors. I've always loved Bachalo since his Gen-X days and so on. But this isn't the Spider-man comic we were promised. It is still hindered by continuity (even stupidly so as in the last issue Wolverine uncharacteristically said Friend and Pal on top of Bub when speaking with Spidey) and his work on the Rebel Avengers COMPLETELY makes no sense as Peter Parker who is wanted by the law wouldn't put other people in danger, and yet there he is with Wolverine and Doc Strange.

It is ridiculous that what Marvel has done is taken the core of the character, taken him on a complete 180 with the Civil War unmasking mishap, and thrown him straight back into the 1970s.

However, that's what this book is missing, what Spidey had when he had one book in the 70s. A central voice. The fact that there are NUMEROUS cooks in the kitchen (let's see, Wells, Gale, Gugg, Slott, Wacker, Quesada, as well as all the artists) is kicking this book straight in the balls. We aren't getting what was promised in the initial statement: Spider-Man that we grew up with.

Peter Parker is now a douche. A little brother mooching off the well-to-do (or not well-to-do) family members who care about him. He barely has a job. He barely is a hero. He barely is anything except a whiney douche. I only read this book as I picked it up for a friend, and I feel bad for Bachalo and Wells. They deserve better than this.

And so does Spider-man. I recommend that no one read this book as it is a waste of time. If the book had that central voice tying it all together, one singular author such as Slott or Bendis or Gugg or anybody, and a rotating team of artists, this would work a lot better. We could have storylines that went on longer than 2 to 3 weekly issues. Storylines that didn't feel completely rushed and uncharacteristic of Peter Parker.

I for one will show my love of Spider-man in the Bendis books. The voice of Spider-man is still alive and kicking there. And you don't get a better Peter Parker than Ultimate Spider-man.
 

 

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