2007
Rated: R for strong violence.
Genre: Crime Drama Western
Directed By: Andrew Dominik
Running Time: 2:40
Review by: Chad Jarrah
Review Date: 7/13/08
Special Features:
None.
THE ASSASSINATION OF JESSE JAMES BY THE COWARD ROBERT FORD

 

I had every intention of not finishing this movie. A friend of mine had the DVD and I picked it up with mild interest, along with a few others, to borrow for the coming week. ‘Brad Pitt and Casey Affleck are good actors,’ I thought, and I didn’t know that much about Jesse James. Why not? I popped in the movie, sat on the couch and perused the back of the DVD as the opening credits played. 160 minutes!? Were they serious or was that in dog years? A
cockfight with a trash talking rooster couldn’t keep my attention for more than five minutes, let alone a 160 minute movie. Despite my unease at the commitment this movie would force me to make, I watched. I watched and I became interested.

The biggest factor leading to my newfound interest was the narrator, Hugh Ross. The movie opened with Ross’ raspy voice describing the facts about Jesse’s life (played by Brad Pitt.) His narration was peppered throughout the film, recounting details about both James and Ford (Casey Affleck) when the plot was starting to drag, doing just enough to keep my attention. The narration added more authenticity to the film, and gave it the feel of a movie based more on fact rather than an artistic adaptation of the historical event.  

The film follows the James gang, focusing primarily on Jesse James and Bob Ford, as they plan robberies and eventually split apart at the end of their criminal careers. Of all the characters, Brad Pitt’s portrayal of the younger James brother was by far the coolest. When he plays with his kids, it’s charming, when he talks to his gang members he’s smooth, and when he snuffs out his enemies, he’s so badass. Pitt’s depiction of James makes it easy to see why so many people idolized this 19th century thief and murderer. By the end of the movie, even I was kicking around the idea of becoming a professional train robber.

Andrew Dominik’s sophomore directorial effort (his first, Chopper [2000], was also a crime biography) does a good job transitioning from the opening storyline about the relationship between Jesse James the confident criminal and Robert Ford the star-struck wannabe, to the eventual deterioration of their relationship due to James’ paranoia and Ford’s disillusionment with James. The movie also makes a point of detailing the aftermath of Ford’s murder of James, which was a nice tying up of loose ends.

Yes, I finished it. And yes, the narrator kept me interested. But the movie was entirely too long. The only way I could complete it was by watching it in five separate chunks. I had to schedule it as a part of my daily routine in order to make sure I’d finish it: wake up, eat breakfast, go to work, eat dinner, take a shit, watch The Assassination of Jesse James by the Coward Robert Ford, eat a bowl of Cinnamon Toast Crunch, go to sleep. When you have to force
yourself to watch a movie between taking a shit and eating your favorite cereal, there’s a problem.

Another aspect of the movie I didn’t like was the Robert Ford character. I was torn between touting this point as ‘good’ or as ‘bad.’ It could have been ‘good’ because Affleck does a great job playing the part. I hold no grudges against him; he did his job well. I ultimately chose to consider the character a negative aspect of the movie because the character he played just annoyed the hell out of me. Apparently Robert Ford was a little weirdo who was nothing more than a wannabe crook with a huge man-crush on Jesse James. The way he moved and giggled and stared at Jesse James longingly was eerie and made me feel uncomfortable. Even the conversations he had with James were stalkerish and ‘I’m your number one fan’-like. He was the west’s version of Selena’s Yolanda Saldivar. He ultimately killed James and was mocked by his community as a coward; I still didn’t like him much, but now I also felt bad for the guy.

One final point to be made was the language used throughout the film. I understand the need for authenticity with the slang and dialect of the time period, but at times, I found the vernacular somewhat confusing. Some of the conversations were akin to Dr. Phil’s weird advice using bumpkin analogies about ‘foxes and henhouses.’ The dialogue wasn’t completely unclear but it caused me to exert so much initial focus that I was brought to the point of leaving the subtitles on for the remainder of the movie.

After watching this film for five days straight, I will admit that it kept my attention and taught me something about the assassination of Jesse James. Despite this, if I had to do it all over again, I wouldn’t. A fan of westerns may be less critical, but for me, watching Bob Ford squirm under Jesse James’ glare for two hours and forty minutes took too much effort on my part.

  • James Carville makes a cameo as some type of southern political official. Basically James Carville plays the part of James Carville.
  • Zooey Deschanel shows up at the end as Bob Ford’s girlfriend. I just think she’s hot and it was a pleasant surprise for me.

 

 

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