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It's not uncommon for artists of any kind to go off the rails or be
driven mad by critics. Vincent Gallo is famous for lashing out at Roger
Ebert for his bashing of "Brown Bunny," producers like Avi Arad and
studios are known for bashing critics that bash their work, and in 2010,
Kevin Smith just sank in to the deep end after the critical destruction
of "Cop Out." But while "Bitter Feast" is a commentary on pushing people
too far, it's also a look at what happens when two bitter absolutely
pretentious men meet and decide they're going to make each other suffer
for their lives' miseries. While many will be quick to deem this as a
satire of the critical world, director Joe Maggio actually spoofs both
sides of the field, the artist and the critic. Or in this film, the
pompous pretentious artist who takes his work much too seriously, and
the critic who refuses to be honest and or kind and just wants to
purposely play a heel for the sake of publicity and readership. Peter
Grey is a chef who takes his job much too seriously. Although he is a
very talented and much sought after cooking personality, thanks to food
blogger JT Franks lambasting his restaurant's delicacies, he is on the
cusp of ruin. His co-host for his cooking show refuses to work with him
due to his inability to find humor in cooking, and his restaurant is now
losing customers. In an effort to win back his fan base and savor the
final days of his show before it's canceled, Grey takes measures and
kidnaps JT Franks.
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Through this small incident he
introduces Franks to his madness and sends him in to a dive
in to Grey's world that involves exhaustive preparation of
food, an insane peek in to the intricate process of cooking,
and consequences involving torture and humiliation that Grey
is convinced will bring Franks in to a world of optimism and
understanding of the cooking world. Though Maggio's film is
intent on lambasting both worlds of the critical and
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"Bitter Feast" is
firmly entrenched in the horror dark comedy arena where the battle
between both Grey and Franks turns in to a war of spite and
stubbornness rather than one man trying to win over the other.
Franks is too pigheaded to bow to Grey's incessant badgering of
understanding food, while Grey is too uptight to let his criticism
go hoping to accomplish a common ground that may never be achieved.
James LeGros is delightfully despicable as the unhinged Grey who
refuses to ease up on his view as food preparation being a strict
art, and we're given insight in to his passion throughout the film
and his obsession with finely tuned food kitchen maintenance. Joshua
Leonard is also quite good as the morally grey absolutely bitter
Franks who is both sympathetic and unlikable constantly shifting in
ideals and opinions that keep him a protagonist the audience also
struggles to come to terms with. There's also a fine supporting
performance from Amy Seimitz as character Franks' long suffering
wife, and Megan Hilty as Grey's grating co-host who loathes Grey to
the point of demeaning him on television. Both men, though, are
fantastic in their roles and truly strive to deliver an experience
that's bold and demented on many wave lengths keeping the film
balanced between torture porn and tongue in cheek comedy. "Bitter
Feast" had every chance to be a missed opportunity, but it's an
entertaining spoof of the critical culture I got a kick out of.
The DVD features
a twenty nine minute "Making Of" special exploring the beginnings of
"Bitter Feast" and how producer Larry Fessenden eventually stumbled on
to director Joe Maggio's script for it. There's also a seven minute
interview with chef Mario Batali, who has a short walk-on role as a
restaurateur. He sheds some interesting insight on the truthfulness
behind "Bitter Feast" on how internet bloggers are becoming more and
more powerful and are indeed having an impact on the food industry.
Batali is very informative in spite of only allowing ten minutes for the
interview, and it's a great nugget for fans of the iconic chef. There's
also a great short still reel featuring portraits of the characters of
the film in their states of distress. There's finally a six minute reel
of deleted scenes and an alternate ending that are interesting but don't
add much to the overall film. The alternate ending is different, but I'm
not sure if it's better. That's for the audience to decide.
One aspect of the
story that is never made clear to the audience is what Grey is
trying to accomplish with the kidnapping and torture. There's never
an indication of his final plan and what he would do to resolve this
crime. Was he planning to kill JT Franks? Was he planning to keep
him in his basement forever? Was he planning to garner a change of
heart in his review? Would he have let him go? The fact that there
is never an answer makes "Bitter Feast" feel aimless in the end, and
our villain all too random. As for the final scene it felt much too
overly clever to be thought of as ironic for the audience and it
left "Bitter Feast" feeling as if it fizzled rather than come to a
close. As for the supporting performance from Larry Fessenden, the
film could have worked with or without him. His character feels
painfully shoehorned in to the premise, and he never serves a
purpose beyond being a foil for villain Grey and adding nothing to
the fate of our protagonists.
Sure it's not a
masterpiece, but "Bitter Feast" is very worthy of a viewing from horror
fans who like their entertainment with appropriate amounts of gore, grue,
and dark comedy. Performances from Joshua Leonard and James LeGros are
fantastic, and director Joe Maggio really does serve up a tasty dish
that puts both sides of the critical world under the microscope.
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