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Adam Mason
has quickly become one of my favorite directors. He has an uncanny
ability to take next to no budget, and create something that will blow
your mind. "Blood River" is his best film to date, and a true cinematic
masterpiece. The story follows Summer (Tess Panzer) and Clark (Ian
Duncan) as they travel across the desert to tell Summer's parents that
she is pregnant. A car crash that follows what I would see is the most
interesting piece of film ever dedicated to a tire blow out, leaves them
stranded. The film is set in 1969, so it's not quite as easy as just
pulling out their iPhone and calling AAA. Clark, and Summer head out on
foot to the nearest town, "Blood River". As the couple arrive, not only
is there a cow carcass laying at the entrance to the town to greet them,
but there are various skeletal remains scattered across the grounds, and
nothing much else. It's completely abandoned. Soon, we're introduced to
Joseph(Andrew Howard), who is seen from the distance, appearing out of
nowhere. It's made immediately obvious that there's something not right
about Joe, but they are so desperate for help at this point, that
they're willing to overlook his quirks. Leaving Summer behind, Joseph,
and Clark head off into the desert, in an attempt to salvage gas from
the crashed car, and siphon it into Joseph's car.
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This is basically the top of the
coaster. It was great up until this point, and the ride just
gets better from here. The cinematography in this film is
nothing short of amazing. Ingenious camera angles, coupled
with a gorgeous backdrop, and some stunning helicopter
angles makes this Mason's most visually appealing movie to
date. I really felt, from start to finish that this film
should have gotten a wide theatrical release. |
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Mason had a budget of $250,000 to finish
this film in a time span of 18 days, so the end result is even more
stunning. "Blood River" isn't a gorefest, but I think it will still
appeal to that demographic. It's raw, gritty, and psychologically
brutal. Another thing that made me happy was the fact that it doesn't
spoon feed it's plot to the viewer. It definitely knows the message it
wants to portray, but it leaves a lot of it up to the viewer to
decipher. It's rare that a filmmaker gives the audience this kind of
credit, instead of insulting our intelligence with flash cut scenes to
make sure we got the subtlety. "Blood River" is not like this, it's
intelligent at it's core, and it assumes that those watching it are as
well.
The acting is superb across the board, but Andrew Howard in particular
puts in a powerhouse performance. He's done an amazing job in past films
with Mason, but this performance alone put's him at the top of my list
for genre favorites. From the moment that he is introduced, until the
last frame, Howard is cool as hell. The atmosphere created is
astonishing. It's gritty, and dirty, but manages to be breathtakingly
beautiful at the same time. The setting is on a far grander scale than
Mason's previous work, spanning across what seems to be a vast desert
wasteland, but it still manages to keep a strong level of isolation.
"Blood River" is not an easy film to slap a label on. While it will
definitely appeal to fans of the horror genre, fans of really solid
dramatic, psychological thrillers will be in for a treat as well. For
fans of Mason's previous work, such as "Broken" and "The Devil's Chair",
don't worry, this movie was made for you as well. It's not a
cookie-cutter thriller, and it demands the audiences attention. You're
not going to be spoon-fed anything, you're going to have to turn your
brain on for this one.
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