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Wolverine Origins 32 is sub-par when you compare
it to the work of Daniel Way to be shown later
on as well as Jason Aaron's far superior
Manifest Destiny mini. Issue 3 of that will be
talked of here as well. Wolverine and Daken
settle the score with Cyber, who pants a lot and
sweats a lot, and Wolverine shows that he's far
smarter than he lets people know. Not much
substance to this issue and just feels like
fluff. A real catch-all issue that ties up some
loose ends before Daken joins the Dark Avengers.
Plus, Nick Fury shows up at the end to jumpstart
the next story. One thing I do like about this
comic is the real quick storylines. I wish more
books incorporated that.
Wolverine Manifest Destiny 3 is more
ass-kicking, more ninja stomping,
Chinatown badassery. There isn't much to
be said other than pure enjoyment emanates from
this book. Wolverine is getting closer to his
enemies and should have them taken down next
issue. But the issue is just pure joy. Too bad
the artist can't hit a monthly deadline and the
art suffers for it. Big time.
Captain
Britain and MI-13 9 is another great
issue in a really great book. A lot of loose
ends, again, being tied up, which makes me fear
for this ongoing saga. But the book is solid
gold. Cornell and Kirk tell a wicked good story
that shows the aftermath of the battle with
Plokta and Captain Midlands getting his just
desserts (Which sucks, I really loved that
character through this arc, the prickish Captain
America vibe was working). Touches on continuity
(dealing with Blade and Meggan especially) work
really well and show that Cornell has a mastery
of these characters. And the next arc looks to
be a blast, what with Doc Doom and Dracula ON
THE MOON no less. Pure joy.
Again, not much to be said other than people
should be reading and it's a damn shame that
they don't.
X-Factor 39 was fucking amazing, absolutely pure
insanity and some of the best stuff this book
has ever produced. I will never drop this book,
unless Peter David leaves. And from his opening
part of the book requiring no spoilers, I will
spoil nothing. Go and read this book.
Uncanny X-Men Annual 2 featured no X-Men in it,
at all. It featured X-Men villains and Namor the
Sub-Mariner and a lot of really awesome
character work, but essentially, no X-Men. And
you know what? It just goes to show that Matt
Fraction is one of the best writers working when
he can write a story that doesn't rely on
artwork to tell everything and completely make
you root for a character that you've hated
FOREVER. He makes sense out of Dark Reign more
than any other writer to date has done and shows
WHY Emma Frost is a part of it and why Namor is
a part of it. And when the two vastly different
art styles try to derail the comic, he tells a
fascinating story about a woman who uses
everyone to her own views on the world and
crafts a great look into this universe. I'm in
awe. And I hate Dark Reign so far.
Deadpool 6 is just a bit of fun, one that my
friends and I discussed and determined that Paco
Medina and Daniel Way may have crafted what
amounts to be the best iteration of Deadpool to
date. And I wasn't warm to the idea at all when
it started. I wasn't sure what to think about
this book. And now I know. An entire issue
dealing with Wade's insanity, talking to
himself, and the sheer lunacy of battling
Tigershark out of water just makes me so happy
and elated and makes me laugh out loud. He's a
complete fuck-up but the book works. Especially
the opening scene with his eye and just getting
torn to shreds by Tigershark. What a complete
perfect comic. One that I am willing to spend
money on monthly.
X-Force 10 and 11 are what amounts to two vastly
different takes on the book that works regularly
in the espionage side of the world of mutants.
10 is awesome. Ghost Rider helps James Proudstar
take down the Demon Bear while X-Force takes on
clones created by Sinister in an attack to
destroy the Legacy Virus. And when Laura injects
herself and nearly dies, perfect. The level of
character development in this book, combined
with action, is top notch, every single time it
comes out. And the scene with Laura and her
melted skin is just too weird for words.
Issue 10 treated us with a look inside the mind
of James Proudstar dealing with the demon bear
and his tribe's resting places getting upset as
well as Domino and her view of why this team is
awesome. Issue 11 is just a bit of filler that
tells the story of Eli Bard, a man who will
certainly be ruthlessly murdered by these
mutants in no time flat. One who has been alive
for countless centuries. It just feels a little
flat and unneeded and could have filled maybe a
2 page spread but instead gets a full issue's
worth of work. The ending, however, gave me
chills and will surely bring about some great
agony for at least one of the characters in the
book.
Avengers Books
I only still read Initiative. No more Mighty or
New. No way am I picking up Dark Avengers (or
Thunderbolts 2 Electric Boogaloo). I just read
Initiative and I will stick with that for the
foreseeable future.
Issue 20 deals with the aftermath of Secret
Invasion. A lot of soul-searching. A lot of
answering questions. A lot of asking questions.
Tigra is pregnant with Skrull babies and that
leaves us with what amounts to one of the
grossest scenes in comics recent memory. The
entire issue is closing up shop on some of the
lingering plotlines. Oh yeah, and Mutant Zero
isn't who any of us thought she was. She's
Typhoid Mary. Which is a curveball and a half.
One shining moment: Taskmaster is the leader of
the Shadow Initiative. One sad moment: Ant-Man
leaves to join the Thunderbolts.
Issue 21 is more aftermath, and Gage really
shines here. He completely throws caution to the
wind and is going to pull in ever more of the C-
and D-list characters to make this book great.
The issue deals with the second Graduation, one
far less showy than the last and puts Bat-wing
on the Shadow Initiative, Gorilla Girl on her
way home, and quite a few others jumping ship.
That is, until Ragnarok hits (that's the Clone
Thor, thank Veloci-jesus they didn't call him
Clor). His battles are awesome. The fight
between him and Thor-Girl and him and Trauma are
insane. And just enough to bring Gorilla Girl
back to the fold, probably to die.
My only question is, can we please get a
standard monthly artist. Since Caselli left,
this book has suffered greatly. If Ramos could
stick on this book for the long haul, that would
be greatly appreciated. I don't see it
happening, but I can dream can't I? Also,
calling it Disassembled seems a bit tongue in
cheek but makes me happy, seeing as how 4 years
ago everything was Disassembled and now
everything's in a Dark Reign.
Ghost Rider Books:
As I mentioned last time, I'm always so excited
when there are two Ghost Rider books to talk
about. I really hope that this continues for a
very long, long time, but I don't imagine it
will. Sadly.
Ghost Rider: Danny Ketch 4 works wonders to tell
a major portion of the story and to throw Danny
into his role as headhunter for Zadkiel, the
role we see him in full-steam during Ghost Rider
31. The book casts a shadow on his actions as an
addict, one who needs the power so bad because
his entire life suffers without it.
Spurrier and Saltares have taken Ketch into a
new realm, one that makes me both excited to
have him back and terrified of what he might do
to his own legacy. And that is the sign of great
storytelling.
The book itself has him after the Rat King and
finally getting more power, more rein over the
power, and shows him siphon abilities from
another G-Rider in order to jump into action.
And that last splash is great.
Over in Ghost Rider 31, everything is hitting
stride. The teams have joined forces. Ketch and
the Zadkiel stormtroopers are attacking the last
Spirits of Vengeance left in a city in the
middle of the jungle, and Johnny Blaze has to
decide to act. On the other end of the world,
waiting, is Kowalski with the Hellfire Shotgun,
waiting in the desert for his chance to jump in.
Ketch and Blaze are heading for a massive
face-off, knockdown dragout next issue, and we
get to see the lives of the left Spirits of
Vengeance here. A husband and wife spirit who
enjoy carnal pleasures, Sara looking on and
wondering if it's all worth it as it all could
be over tomorrow, and Johnny feeling sorry for
himself before he gets snapped out of it by two
children willing to die for his stupidity.
Perfection. And the art team is sheer gold. I
never want this book to end.
Ever.
Odds and Ends:
These are some of the books that don't really
fit into any preconceived universe of books that
I read. Ones that I love to read and will
continue reading (if I can).
Venom Dark Origins 5 is one of those books, one
that I will be sad to see go. It was the last
issue of the mini and a doozy at that.
Angel and Zeb worked wonders with the story of
Eddie Brock and his hellish turn to the dark
side. It was so pretty and so beautiful in it's
presentation that when this issue starts with
the disgusting sequence of Eddie in the symbiote
web and attacking Spider-man and everything
around him, it turns so fast into insanity that
there's no turning back.
It makes me miss Eddie Brock and his craziness
as Venom. He should be Venom and Mac Gargan
should be Scorpion. No way around it. This book
cinches that.
The strange thing about this book is it
completely sidesteps around the idiocy of Mary
Jane and Peter giving up their marriage to
Mephisto. It doesn't deal with it head-on, it
just shows them as two people living together
under the same roof, Mary Jane obviously knowing
that he and Spider-Man are one and the same, and
it makes me wish that they had just let it go.
But that's beside the point. The point is that
this was an enjoyable end to an enjoyable arc.
One that makes me long for the days of Eddie
Brock.
Dead of Night: Werewolf by Night 1 was pure
gold. One that I was almost not going to buy.
Didn't want to buy. Didn't want to continue down
the road of purchasing this comic after the
Devil-Slayer finale left a bad taste in my
mouth.
But Jesus am I glad I bought this. It is pure
heaven. It is a werewolf comic that is brutal,
to the point, and fucking awesome. Mico Suayan
on art and Duane Swierczynski on words and this
is one of those comics that easily passes
everyone else by.
But not me. I love the character of Werewolf by
Night. I love MAX comics. And this was solid for
me.
People can bitch about creativity or trying
something new with this, but this works for me.
The story of Jack Russell retold for nowadays
crowds and for the MAX world is brutal. It
starts with a lone survivor in a stack of bodies
that just happens to be a baby, and it ends the
first issue with a dead pregnant lady. And
everything in between is just gore, blood, guts,
and werewolf action.
And I dig the shit out of it. Apparently, the
only thing Duane can't write well is Cable, and
this book makes me want to try that out again.
El Diablo 5 puts us in the second to last issue
in the 6 issue mini, and Jai, Phil and Ande sure
know how to invite us to a battle. The big
action scenes here (in fact, almost all of it is
action), deals with Uncle Sam and his Freedom
Fighters vs El Diablo and Vorpal. And Diablo
sure puts some of these bitches down for their
dirty deeds.
It's crazy, it's awesome, it's fun, and that's
just it. It's fun. It's light. It's a quick read
but one that is enjoyable. It picks up the pace
so much faster than the first 4 but still sticks
to the same overall themes.
And the final portion of the book is great, what
with Chato making another huge mistake and the
world just might have to pay for it.
I don't want this book to end but knowing that
it will might keep it still immensely sweet. I
can't wait to see what happens next, as I've
said a number of times so far, but really, where
the hell can this book go unless it kills Chato?
I want to know. Plus, it sucks that the book is
ending, effectively getting rid of most
characters of different ethnicity in the DC
Universe (as Blue Beetle's book is getting
cancelled). Very sad to see.
And finally, Unknown Soldier 4. I've said a lot
about this book and every issue gets better.
Every issue is more heartbreaking than the last
and more ass-kicking at the same time.
It's weird to read this book and be equal parts
mortified at the things going on around Moses as
well as just filled with glee when he lets go
and fights. It's terrifying.
I feel awkward trying to review this book,
because I never have anything bad to say about
it. But lets discuss one scene in particular.
The last half of this beautiful issue, by Josh
Dysart and Alberto Ponticelli, should be on
display in an art museum.
When the rain starts to fall as Moses takes the
kids out of the battle and leads them to safety,
when the young man who was supposed to kill them
drops his gun and leaves, it's heartbreaking.
When Moses, in the rain, meets up with Mother
Superior and delivers nearly all of the young
girls, his head is low. He knows his lot in life
now, as do we, but we are left heartbroken. He
can never return to his old life now.
This book is beautiful, poignant, and perfect,
every single month. And damn you for not reading
it.
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