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Since being introduced to Oren Shai many years ago I've managed to
really take a liking to the man's work because not only are his films
short and to the point, but the man successfully evokes the tone and
grit of the mid fifties with pieces that have no actual announced time
frame but lean heavily toward the decade that was most beloved. The man
really has a passion for films of that era and he shows it with his
latest "Condemned," a movie very much in the vein of "Shawshank
Redemption" in where he gets in to the mind of women yet again by
revisiting the genre of prison films that insist on exploring the
psyches of the prisoners instead of actually enlisting violence or
clichés. The film acts as a metaphor for death in a world where it's
most prominent as he zooms in on a young prisoner simply named #1031. To
her she's yet another prisoner, but for us she's perceived as the
average prisoner, a person waiting for the sweet release of death in the
face of a world they can no longer exist in. For Shai's film he expands
on the story by revealing a woman who accidentally became the pawn of a
plot in the prison becoming a snitch and patsy.
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Now she sits in the comfort of
her cell awaiting her parole hearing but is certain she'll
be struck down by a vengeful assassin at any moment.
Self-destructive, Shai's main character doesn't so much seem
to be waiting for death, but welcoming it because when in
the comfort of her prison cell she seems to want to inflict
personal harm on herself and just cannot fathom existing
outside the prison.
When a new roommate enters the cell, she
slowly becomes suspicious that the young girl named Laura
may just be her killer. |
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Co-star Aprella is a
gorgeous young roommate who seems too good to be true. Made up, well
groomed, and presenting a calm demeanor, she serves as a series of
symbols for the character #1031. She could be death waiting to take her
away, she could be god trying to help her come to terms with her
punishment, she could be fate easing her in to her inevitable demise,
she could be Satan anxiously standing by to escort her in to her own
private doom, or she could simply be the person assigned to kill her
when she least suspects it. By the final moments it all becomes apparent
what's awaiting our main character and Shai leaves the story on a high
note allowing the audience to present their own interpretation of what
will occur to this young woman as her day comes. Shai is a wonderful
director capable of making every situation seem like a time capsule of
the fifties and this film is no exception. He manages to bring the best
out of his cast and their performances are sharp, especially from
Margaret Anne Florence. Ultimately "Condemned" stands as a metaphor for
mortality and paying for your crimes and as a short form tale, it's yet
another achievement for Shai.
Director Oren Shai is a consistently talented filmmaker with a knack for
depicting stories that set down in the fifties. The man's love for that
period makes for some truly extraordinary short films that prove the man
has mastered his craft.

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