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One of the
elements of animation that Pixar has always excelled at that will garner
them a bonafide place in history books and text books about storytelling
and animation (whether you're sick of seeing them on TV and awards shows
or not) is the fact that the animators and writers in the studio are
able to understand that animation is just as much a narrative experience
as it is about sight and sound. As well you can also surround an
animated film around sight and sound and little dialogue without
overloading us with explosions and colors. Pixar has opted most of the
time for soft visual and sounds (Up) while also sometimes appealing to
the high adrenaline audience (Cars) and have explored their clearly
defined skill for giving audiences a wonderful animated experience
without filling it with dialogue and a deafening dizzying score. That is
why Pixar continues to be superior over Dreamworks. They understand the
use of animation and that's why "Day and Night" is one of their most
critically acclaimed and superb animated shorts. It's a short that
hearkens back to the golden age of animation and is shockingly similar
to shorts like "The Dot and the Line" from MGM, and "What's Opera, Doc?"
from Warner where the creative team offers audiences an animated short
that stimulated us, challenged us, provoked us, and entertained us.
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Music and
colors told a story where dialogue could not. Disney was
never quite talented in that regard in their legacy, thus
Pixar is making up for it with their rousing shorts, one of
which is "Day and Night" a spectacular silent animated short
about the manifestations of night and day as both entities
compare their pros and their cons, their appeal and their
lacking, their romantic moments and their absolutely
harrowing moments. |
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Both are beautiful in
their own regard, but the beauty is dependent on themselves and what the
audience ultimately prefers. Offering up a collaboration of 2D and 3D
animation, "Day and Night" gives us the standard breathtaking computer
animation of Pixar that is merely a byproduct of two dimensional hand
drawn animated forms of nature, both of whom live through sound effects
and scenes from their respective time periods. Day is very upbeat and
something of an upright gent, while Night is smooth and a hound dog. Day
presumes to be better because he can offer something Night can't. Night
shows he can provide beauty Day can never but deep down after the
hijinks and battles, "Day and Night" is really a short morality tale for
the children about how we can accept and learn to love each other for
our differences and embrace the new and the unique. Day and Night have
different colors, different personalities, different senses of humor,
but at the end of the day they're both beautiful and both deserve to
live hand in hand, and for that "Day and Night" is a highlight of 2010
sadly overlooked by many.
Pixar and Disney's "Day and Night" is ultimately very evocative of the
classic Warner and MGM animated experiments that appealed to all
audiences and didn't talk down to its respective theater going crowd.
Pixar understands the art of animation much more than modern Disney and
they show it with "Day and Night," a brilliant short about appreciating
the differences and learning to live with one another's own unique
beauty and gifts rather than focusing on the shortcomings and trying to
destroy them.
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