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At the request of
director Grzegorz Cisiecki, I cautiously entered in to his 2007 short
film entitled "Dym," and hoped to see what would be the seeds of a great
director in the making. While in the end "Dym" leans toward being a demo
reel for work in the states, "Dym" is also a striking short film delving
in to the psychosexual madness our main character endures when
experiencing a turbulent romance with his girlfriend. Zero dialogue is
enlisted where visuals do the work of storytelling, comprising various
images and incredible editing for the purposes of telling this unusual
and surreal story that flashes back and forth from scenic romantic
situations to orgies, from chance encounters with a mysterious woman, to
intimacy that fades in to loneliness and despair. While most people
won't be able to make much sense from the Polish film production,
director Grzegorz Cisiecki firmly aims toward the cineastes who have a
love for Ingmar Bergman and David Lynch.
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Reliant on
imagery and symbolism that is juxtaposed and paralleled with
separate realities, all encounters that may or may not have
happened. With the main character, he is apparently
struggling with his deeply rooted sexual urges with his
newfound love, and this is all conveyed through the rapid
fire cutaways and moments of sexual glee that explores
sexual taboos that the protagonist dare not speak of, and
corridors of his own lust that he's afraid to venture in to. |
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All the while he
envisions two personalities of his female persona, one of whom is of
purity and grace he is somewhat tired of, and the other is a dark and
sinister presence tempting him to test her limits, should she have any.
"Dym" is first and foremost a visual experiment and work of art for the
open minded movie lover, and then a likely wink at potential producers
should they be in the market for a fresh new director.
Grzegorz Cisiecki is a
director with potential whose short experimental film is a hyper sexual
and taut experience putting on display crafty editing, stark glimpses in
to subtext and undertones, and a perfect example of storytelling without
the luxury of words.
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