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Ok, I admit
it, clowns freak me out. Like, big time. They're painted to be smiling,
but to me their faces always look like masks of evil, their blood red
lips, their brightly colored makeup hiding whatever they are truly
feeling. For me, it's not a hard sell to believe that clowns could
easily be evil. There have been quite a few movies made trying to cash
in on people's fear of these supposedly happy creatures, but as much as
I hate clowns, most of the movies fall flat for me. "It," probably the
most famous of evil clown movies, seems tired and stale for me, and
nowhere near as terrifying as I found the book (that damn book haunted
my dreams for years). Other killer clown movies are either played for
laughs (and you know I love "Killer Klowns from Outer Space," but it's
not scary the way I want my evil clown movies to be) and a lot of them
are simply too low budget to be of any use to me. It's like the
filmmakers bank on the idea that an evil clown will instantly make a
successful horror movie. After all, a lot of people are afraid of
clowns, right? So they'll like a movie with an evil clown in it, right?
Everything from "S.I.C.K." to "Dead Clowns" to "Mr. Jungles" seems to
operate on the principle that a scary idea is all that is needed to make
a scary movie, and while the killer clowns in these movies often look
cool, that's about all I can say in praise of the dreck surrounding
them.
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Into this atmosphere came the 2004 movie
"Fear of Clowns." It was low-budget, and it had a cool,
painted cover which didn't show any actors or scenes from
the movie. This typically means that the movie is going to
be a horrendous piece of shit, but I gave the movie a chance
anyway, and man am I ever glad I did. Right from the
beginning, with the lead character Lynn Blodgett sitting in
her studio painting and drawing pictures of evil, demented
clowns, the movie announces that it will have some
interesting ideas to present that lift it above the usual
low-budget killer clown trash. Lynn is an artist who suffers
from coulrophobia ("fear of clowns") and she uses her
painting as an outlet to express her fears. She's somewhat
successful, but she has serious personal problems that
threaten her emotional well being that have nothing to do
with her fear of clowns. |
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She's going through a messy divorce, and her husband
wants her out of his life in an even more permanent way. Jacky Reres,
the actress who plays Lynn, is spot-on in her performance. she really
carries the movie, and I believed her plight the entire time. Her skeezy
husband pissed me off, and when a new, seemingly nice guy (played by
Rick Ganz) came into her life I was happy (except for the nagging fear
that he might be evil...in these kind of movies you never know). When
murders start happening around Jacky and she starts seeing visions of an
evil clown from her own paintings, I was spooked (come on, how freaky is
that idea? You paint something and then it comes to life and tries to
hurt you). everyone around her starts to think she's going off the deep
end, and we wonder if she'll be able to defeat the evil clown before
it's too late.
There's not much originality here, but the slasher formula works well so
I can't complain about that. The true star of the film is the nasty,
evil makeup on Shivers the Clown, and that really IS original. I've
never seen a killer clown look quite like this. It seems a little slly
at first that a shirtless guy with only his face made up lumbering
around would actually be scary, but in the movie, the character's
damaged mind makes the idea work. His scowling face is every bit as
creepy in the film as it is in the painting leering from the DVD cover,
so in this case, the makeup did not disappoint, but I was excited to see
that the movie surrounding the killer clown was worth watching as well.
Minus a few caveats that seem to come with the territory of low-budget
horror, this movie is entertaining and worth a watch.
The acting in
this movie, while not really bad by my standards, has a lot of clunky
line delivery and some performances that leave much to be desired
(witness all the cops... even the one who's a pretty good actor is way
too over-the-top in his performance for me). There are some less than
stellar special effects as well, and while that's to be expected in a
low-budget movie, the camera doesn't need to linger on a decapitation
when we know it's going to look horrendously fake. Plus the climax of
the film dragged on for way too long and was in desperate need of an
editor.
It's not perfect, but there are so many things that it gets right that
bigger-budgeted movies get wrong. I can't help but love it for that.
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