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I'll admit I had little to no expectations for "The Fighter" primarily
because the stylish trailers have made it feel almost like a clone of
the Channing Tatum clunker "Fighting," when in reality it's truly an
Oscar caliber drama about a man who has the potential to become a boxing
legend, but cannot escape the clutches of a family who refuses to let
him rise above their lower class pit of despair, regret, and broken
dreams. "The Fighter" is based on the true story of Mickey Ward, a low
level boxer out of Boston who dreams of becoming the legend his brother
Dickey touts himself as. In the prologue to the film we basically see
the parallel worlds of this family, one man who is a complete burn out
and thinks of himself as an unspoken hero while Mickey is a young fit
man who is capable of becoming so much better than the people around
him. While the narrative is essentially about Mickey's rise to boxing
supremacy, the true centerpiece is Mickey's relationship with his
family, all of whom are possessive, manipulative, and self-destructive
and seem to want nothing more than to bring Mickey down to their den of
misery to satisfy their own insecurities. Mickey is surrounded by
parasites and fair weathered family members convinced he is nothing
without them. Upon his first major bout, he arrives in a limo at a crack
house where his brother appears late and high as a kite tagging along to
watch Mickey be beaten senseless in a fight he's completely unprepared
for.
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Christian Bale is fantastic as
the burn out older brother of Mickey whose own delusions
keep him fueled in a life of hard drugs, and a mother who
does little to nothing to help him finally straighten up his
life. Much like Mickey she is comfortable in her delusions
that situations will work themselves out, and almost coddles
Mickey when he admits to his own terrible acts of crime and
drug use. |
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If there's anyone set
for Oscar gold this year it's indeed Melissa Leo, a dominant shrew of a
woman who has more children than she can count and refuses to let them
out of their sight. Like Mickey, she is in desperate need of a wake up
call and has no idea that she poison in her own son's well being.
With the chance meeting
of sexy bartender Charlene one night, Mickey forms an unusual
relationship with her and is able to gain some sense of identity in his
journey to fame in a land of crushed dreams and apathy all the while
being forced to take a second look at his life and wonder if any of it
has been beneficial to his success. What inevitably follows is a form of
enlightenment for Mickey who begins to shed his oppressors and find some
sense of fulfillment in his life that doesn't revolve around people
deciding what's best for him. The conflict and confusion is well
conveyed by star Wahlberg who is dazzling as the aging boxer looking for
bout of victory walking out of the shadows of his older brother who
refuses to let him have the spotlight, even when he's proclaiming to
work for his brother's well being. He lives on the lie that he beat
Sugar Ray Leonard and through his incessant bragging is a man who has
failed. While many viewers will see this as an underdog sports story,
deep down it's very much about a young man breaking free from the
shackles of his destructive family's legacy and finding his own sense of
identity that ultimately grants him personal success in the sports world
and in his own world.
So much better than I
originally assumed it would be, "The Fighter" is a gripping and
engrossing drama about the power of family, and how sometimes they can
hurt so much more than help. Stars Wahlberg and Bale are superb and O.
Russell impresses with one of the year's best.
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