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Phil Stevens is a very strong director, one who can muster up some
interesting atmosphere and set pieces that keep "Frank Edge Jr." as
something of an oddity that is constantly on the brink of being fantasy
in spite of dropping down in to this dank reality. What occurs on screen
is indistinguishable from the delusions our character Frank lives in and
Stevens is able to keep the line very thin for most of the picture
leaving most of the events ambiguous and comprising a world of Frank's
own that feels very cold and deserted where his only friend is his
penchant for sadism and masochism. Kevin Krier's haunting score also
keeps "Frank Edge Jr." feeling masterfully nightmarish with some
warbling soundtracks that always make the story feel like something
beyond what our eyes can imagine.
The
best way I can seemingly sum up Phil Stevens quasi thriller "Frank
Edge Jr." is as his own form of "Eraserhead." While I'm not entirely
convinced Stevens drew upon Lynch for his influences, "Frank Edge
Jr." quite often borders on the surrealism that explores a world
that is apart of ours but somewhere in between the consciousness and
the unconsciousness. Stevens delves in to the inner workings of one
man's mind who has embraced darkness and violence for all of its
benefits and faults and what we see for almost ninety minutes is his
descent in to madness and utter sadism for reasons we can't quite
understand or are never quite explained. In all honesty I would have
been more than happy to have loved Stevens thriller, but I just
didn't. At the end of the day I was more indifferent toward it than
I was against or for it. While I didn't exactly despise it, it
definitely will not inspire its audience to sit through it all and
witness the events unfolding for our main character. It tries
desperately to be a royal mind melting experience that wants to
disturb and provoke thought and discussion but Stevens can never
quite grasp the imagery he puts forth here, thus most of it feels
forced and somewhat contrived. I'm still not sure why we're even
supposed to empathize for this man, or why we should be interested
in his insanity, and Stevens never puts up an argument for that
proposition in the beginning.
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He has little personality, very
little individuality, and doesn't seem to evolve much as a
character who is giving in to his urges toward
self-mutilation and murder. Meanwhile his relationship with
his wife who suffers through his insanity and takes him to
task on his odd habits is often tedious and incredibly
shrill making for some of the most insufferable dramatic
moments on film, that don't do much to bring us in to the
mindset of this protagonist. |
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Frank
is a character void of any real personality or depth so there's not
a strong argument as to why we should follow this man. When he
finally loses his marbles, the drop isn't that far off thus the
journey doesn't entirely feel as immense as it should have. Once
Frank has hit rock bottom there really isn't much to do with the
story and Stevens seemingly seems to scramble to find new material
and murders for Frank to engage in that constantly jump back and
forth between reality and fantasy to where you can never be sure if
Frank is a man living in delusions or an utter psychopath about to
bust his cherry and murder someone after living in constant
fantasies through his snuff films. "Frank Edge Jr." should be
respected for its clear ambition and willingness to work as more
than a thriller and as a character study, but in the end I just
couldn't involve myself in much of anything that occurred here.
In
spite of Stevens competent direction and Krier's melodic score, "Frank
Edge Jr." leaves a lot to be desired as a thriller and character study
with polarizing atmosphere that will make it difficult for audiences to
empathize with anything happening on-screen in spite of Stevens best
efforts to invoke "Eraserhead" to an extent.
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