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5IVE DAYS TO
MIDNIGHT
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He opens it and discovers a group of
files showing pictures of his death and newspapers clippings. First
declaring this as a practical joke from one of his students or
colleagues, he sets it aside, but as the days progress, the events in
the files play out slowly but surely, and now convinced that he'll die
in five days, tries to find a way to prevent himself from dying and must
change his destiny. Plus, he must also find out who out of his friends,
family, or It's an original concept, I'll give it
that, and for a movie that originally aired on the Sci Fi The questions you'll ask yourself throughout the story is, who kills him? who sent the briefcase? and is it from the future or another planet? We're given a sense of desperation and immediacy within the counting down and the investigating, the futuristic murder mystery make this a unique story to watch and I was interested all the way through. The notion that any one of these people could have killed JT makes for some claustrophobic fare and the dark and dreary setting which our story is set upon doesn't make us feel any more at ease. Surely, as the clues add up one by one, the story becomes more and more tense and gripping, and the groups of writers create one really unique murder mystery with twists and turns every which way.
If, in fact, JT was to die, there'd be a reason for it, and for the person who sent it to him was smart enough to send him the case, they should also be smart enough to know that dying is just part of fate and by changing that, you also change the scope of many things far and wide. The cast is comprised mostly of second rate actors with the exception of Hutton who tries his best at the lead role but ultimately fails towards the end of the film as he manages to go way over the top with his emotional scenes and never sold his desperation toward surviving for his daughter. There's also Randy Quaid who is quite bland and one-dimensional as the cliché shady mysterious crusty investigator we've seen over a thousand times, and Angus McFayden who is the worst of the characters as the over the top mob boss Roy Bremmer. Watch for his really bad scenes as he attempts to inflict depth into his character but comes off as just laughable. It's all just ultimately lost and pissed away halfway through as the plot is segued into the benign plot featuring McFayden which takes away from the actual reason why we're watching. "Stay tuned for the shocking last minutes to 5 Days to Midnight" the Sci-Fi channel boasts which never usually works on me, but I was rather interested to see where this was developing. But, unfortunately it was all just hype as usually is the case. I was expecting that Neumeyer's daughter would accidentally shoot him causing his death, and that we never got to see who sent the briefcase, but it's all pretty much explained in the end and nothing of the sort happens. Also, the writers cop out yet again by never explaining what happened, what would have happened and worst of all, we never do find out who kills JT, so the writers and director cop out on the audience by just saying "it's a happy ending, we don't need to know what happened". It's a great concept so it sucks that it falls apart from the seams halfway through becoming so routine and cliché. The writers never give this story and concept a chance to spread its wings and just keep it down to mediocre level almost as if they're not trying. There could have been so much more to draw on here, and they never want to explore other possibilities, and are mostly comprised of uneventful occurrences, very slim character development, and so much dialogue, everything is just up in the air even in the final moments. Everything halfway through is just so bogged down that there just wasn't any use in having it run for over three hours. I really wanted and hoped for an ironic, witty, and shocking ending beneath the muddled plot and droning dialogue, but alas we're not given anything but an obligatory and rather disappointing happy ending that is also yet another of the numerous cop outs on part of the writers who could have used the ending for a twist or sick irony.
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