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I'm in the minority
opinion that about most of what came out of the eighties was utter
dreck. Movies, music, fashion, and television, a good portion of it
is dreck that has remained in the public consciousness based solely
around nostalgia and people still muddled by their own fond memories
of the decade. Since I'm in an eighties mood I thought I'd finally
settle our top ten movies of the 80's, a decade that gave us mind
rotting MTV, and Mr. T only to name a few of its crimes, of course.
Rounding out our top ten of the decade was not an easy task since it
was a decade consisting primarily of disposable fare in the way of
comedies and horror films, while the dramas were basically mostly
middling fare. I was, however, up to the challenge. I did set some
guidelines of course. Since the 80's were all about the slasher
film, about every slasher film made in the decade is off the table
since this list would be filled with them and ruin the purpose. I'm
a heavy fan of the "Friday the 13th" series and the like, so it
wouldn't be an interesting list. We also left out most of the
Nightmare on Elm Street films, Critters, Gremlins, and most horror
films from the decade altogether. We give enough respect to them,
here are ten films from the ten years that I thought were the
absolute best.
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Crimes and Misdemeanors (1989)
Before Woody
Allen dived in to the murky realm of mediocrity with
pretty faces and melodrama, he directed and wrote films
like "Crimes and Misdemeanors" a two fold film about a
director stuck in a dead end unhappy marriage
contemplating infidelity that could lead down a bad road
if he isn't careful, and an optometrist whose torrid
love affair has gone much too far and threatens to
destroy every aspect of his life if doesn't end it as
soon as possible. Hiring his brother to murder his
mistress, Judah Rosenthal as played by Martin Landau, is
left with the shreds of memories and remorse for his
lover, and Allen never quite turns away from the
unrelenting guilt experienced when greed and vanity
gives way to a cruel death. While Allen is noted for
describing his discontent for his own comedic sub-plot,
it makes for an interesting case of juxtaposing an
affair that's gone horribly awry, and a possible affair
that could go potentially awry if Allen's character
Cliff doesn't step carefully. In the end both men are
shells of their former selves, and Allen went on to
remake this in to the putrid "Match Point." This 1989
dramedy though stands as a personal favorite from
Allen's legacy.
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Ordinary People (1980)
Hate and regret can be poison
in our systems. Horrific accidents and senseless crimes
can bring out the worst in us and muster up old emotions
and suppressed resentment within us and our family
members and in the case of Robert Redford's family
drama, it's an endless stream of reminders that nepotism
and guilty will always go hand in hand when it comes to
certain parents. Redford's dramatic character study is
one of the few dramas that focus in on the subject of
tragedy and death that doesn't wrap up in a nice neat
little bow. Timothy Hutton leads a cast of all-stars in
a story of Conrad, a younger brother of a beloved young
man who almost perished in a horrible boat accident one
night. Conrad, the black sheep, managed to survive while
his brother died out in sea. Conrad is sadly forced to
go back to his normal life enduring the hatred and
neglect from his mother Beth who favored his brother
over Conrad, the depression of his put upon father
Calvin who must watch helplessly as mother and son turn
on one another, while Conrad sees a local therapist as a
last ditch effort to retrieve some sense of personal
closure and hope to re-claim a life he lost when his
brother died so many years earlier. Constantly gripping
and consistently compelling, Redford's drama keeps me
going back every time.
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Airplane! (1980)
Any fan of comedy, laughing,
genius, and all around timeless lampoon cinema will want
to plant themselves down and watch the 1980 comedy
disaster flick "Airplane!" about an airplane doomed to
crash unless its hapless crew and control team don't
guide it down on to the ground safe and sound. A spoof
of the popular disaster flicks of the late seventies,
Jim Abrahams and David Zucker composed a slew of
non-stop hilarious one-liners and skits all of which
manage to form in to a surprisingly coherent narrative
about an ex war veteran who happens on board the doomed
airliner with an old love who is a stewardess. Thanks to
bad food that has an unusual side effect, it's up to him
to fly the ship, and that's if he can stop regaling
passengers with his accounts of his love affair, that
always ends in a suicide. Tackling classic commercials,
the incoherence of jive talk, and breaking all
stereotypes by giving Leslie Nielsen one of his first of
many comedy roles, "Airplane!" is a non-stop laugh riot
that competes for the title of the best spoof of all
time and even gives Mel Brooks a run for his money. You
won't have a second to catch your breath.
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The Empire Strikes Back (1980)
Pretty much the pinnacle of
the "Star Wars" mythology and the signpost up ahead that
explained to millions of fans that this just about as
good as it gets, "The Empire Strikes Back" is a
masterpiece of science fiction cinema. The darker and
much more complex sequel to "Star Wars," Lucas handed
the reigns over to Irvin Kirschner who directed a moody
and melodic confrontation between good and evil that
ends in a lost limb, a fallen hero, and a revelation
that changes the characters forever. Being one of the
few youth oriented science fiction epics to end with a
dark open ended climax, "Empire Strikes Back" manages to
develop these characters beyond their fantasy archetypes
established by Lucas in the previous film and adds
quirks and idiosyncrasies to every hero and villain who
take on black and white and delve in to shades of grey.
Luke experiences the full brunt of his force training
after the death of Obi-Wan, Leia soon finds something
new to fight for in her life, and Han Solo, once the
selfish pirate, soon become the valiant hero whose
choices ultimately prove to develop his friends for much
better and for much worse. "Empire Strikes Back" is that
one capsule of eighties cinema that was never again
duplicated... but it hasn't stopped dozens of filmmakers
from trying at it.
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A Christmas Story (1983)
Pretty much the perfect
holiday film for all kids and family members, Bob
Clark's Christmas dramedy revolves around the classic
themes of growing up and aiming for your goals, however
small or trivial they may be. Reaching down in to
realistic themes of materialistic fulfillment, Clark
zeroes in on Ralphie, a young bespectacled boy who lives
a humble life in the early 1900's among a bratty little
brother, a caring mother, and a working class father
stuck in an endless tug of war with hillbilly neighbors.
Involving everything from the first utterance of the F
word, Ralphie's father's obsession with a leg lamp that
also ends up being his introduction in to sex, and his
battle with a vicious bully who gets his kicks out of
tormenting the neighborhood kids, Ralphie only wants "an
official Red Ryder carbine-action 200-shot range model
air rifle with a compass in the stock, and this thing
which tells time," if only he could convince his parents
to buy him one... because he'll shoot his eye out.
What's a kid to do? Clark's tale of a boy and his
beloved toy has become a bonafide Christmas tradition
for yours truly.
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The Final Five Cinematic Greats of the 80's! >>
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