THE LONG AND WINDING YELLOW BRICK ROAD
Felix Vasquez Jr.

 

For me at least as a classic rock buff, I never actually realized how utterly surreal and how absolutely mind-blowing "The Wizard of Oz," celebrating its 71st anniversary this year, is and has been since its 1939 release until I managed to stumble upon Snopes.com one day and learn about the legendary Pink Floyd Dark Side of the Moon phenomenon in which many music fans have heard from a friend of a friend that they sync if you place them on in just the right instances. For years I didn't realize it but here in America, the cable television network always, always played "The Great Gig in the Sky" while playing the television ad for their commemorative airing of "The Wizard of Oz" every year on their station and I had always wondered what the song was and why they played it. Years in to my life when my uncle Freddy introduced me to classic rock and broke me out of my hell that was modern hip hop, I bought the CD of "Dark Side of the Moon" and lo and behold, not only was the album one of the most amazing rock operas I'd ever heard (which I play in full succession about once a month), but there was "Great Gig in The Sky" one of the most beautiful soulful cathartic experiences of all time--and frankly my favorite tune of the whole epic Floyd saga. And there was the song.


So after reading heavily about the Wizard of Oz/Dark Side of the Moon parallels for a few hours I took that ratty old VHS special edition my brother sister and I watched about three hundred times when we were children before the time of cable television and the world wide web, and I tried it. To say it was a royal mind melting experience is beyond any real words and would be an understatement to say the least. I don't smoke weed, but I imagine if I had, the event would have blew my head up all over my room. So I sat and watched, and listened, and it was incredible. The myth is true. Great Gig in the Sky plays when the farm house is in the hurricane funnel, "Money" begins playing when the film shifts to full color, and "The Lunatic is on the Grass" plays while the Scarecrow is dancing along the grass. Floyd continues to deny they actually intended on this happening and mocks fans for insisting they did it purposely, but I guess we'll never know the truth. Honestly I don't want to know the truth. Life should have some mysteries to keep it interesting, don't you think? And I love keeping the mystery of "Dark Side of the Rainbow" as nothing but a treasure chest of the unknown, a spark of fate and destiny that aligned the stars one day giving lovers of rock, film, and urban myths something to chew on for decades to come.

Here are the steps for anyone with enough time and patience to try it out for themselves: (1) Insert the "Wizard of Oz" DVD into a DVD player. (2) Insert the "Dark Side of the Moon" CD into a CD player. (3) Start the DVD and stand-by to start the CD. (4) As soon as the "MGM Lion" roars the SECOND time, start the CD. (5) Turn OFF the volume on the TV set. (6) Crank up the volume on the CD player.

After trying it three times and watching it all three times in full length, I thought about it and muttered aloud "Damn this movie is weird!" I mean when we were kids we had only network television and our own imaginations to fill the days off from school when we weren't outside playing with our friends, so often there was a steady rotation of VHS tapes my mom and dad played for us which could include kids movies like "The Land Before Time," or odd fare like "Michael Jackson's Moonwalker" and occasionally "Grease," but there was also "The Wizard of Oz" a 1939 landmark masterpiece of a fantasy film that is about as far away a book adaptation as you can get but still manages to be a film for all ages. "The Wizard of Oz" has stuck with me both as a movie lover and appreciator of pop culture since I was a kid and it's followed me around literally everywhere. I love the film, don't get me wrong, but... I'm not a hardcore fan of it and I've never read the source material. I know scant facts about the movie and the books and I've seen about three films from Judy Garland, but for some reason this film has followed me everywhere from watching the television airing of "Wicked" one afternoon thanks to my mom, to going to see a Spanish version of the musical at Madison Square Garden with my family one night.

In spite of what you may have heard I know zero Spanish. I grew up in a Spanish speaking household but I made no effort in learning, so the whole night was spent soaking in the beautiful scenery and mocking the way Dorothy said Toto which in her dialect and Spanish accent sounds she was calling out for vagina the entire time. It's also one of the few times my mom allowed us to say it in a mocking tone, which still baffles me. Plus it made me see Dorothy as an entirely different kind of young woman. But that's the fun of "The Wizard of Oz," you can look at it however you want. It's something of a variation of "Alice in Wonderland," and it's filled with a swell of stories and legends that many people never stop talking about to this day. There's the munchkin allegedly hanging himself during a filming of the movie, the whole face paint debacle, all of which seemed to have taken on a dual life of its own. But then that's the norm whenever you make something that's been embedded in to pop culture so easily, you tend to find that it takes on a whole other life of its own. "The Wizard of Oz" is a movie the studios are still trying to tap money out of and will continue to try to top Garland's own musical fantasy that many people insist is not a faithful adaptation of the books.

But tell that to the thousands of movie-goers and fans who continue to fall for this film. As I explained in the aforementioned paragraphs, "The Wizard of Oz" was a staple of my youth. True, we had very little to watch during our weekends spent at home but the film was a constant time consumer, a wonderful little adventure film that managed to tug at my heartstrings quite often due to Dorothy's own love for her dog Toto. That little sidekick who always knew what to do in dangerous situations became a constant source for tears whenever the mean old Miss Gulch and her broom-like bicycle took away the poor little mutt as Dorothy cried her eyes out hoping for it to return. And return he did. It was almost like he was trained or just had something of an emotional connection with Dorothy whose unbiased relationship with him kept him at arm's length.


Part Two of "The Long and Winding Yellow Brick Road" >>

 

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