EMILIE NOETZEL'S
YOU HAVE TO SEE THIS
SNATCH (2000)
4/2/11

 

Snatch follows multiple stories of multiple unsavory characters.  As is usually the case, all these unsavory characters’ paths end up crossing and that is when things get even more interesting then before.  The movie starts on the heist of an 84 Carat diamond in Antwerp.  The robbers bring the diamond to England to try and make some money.  Little did they know that many people will try to make some money off of that very same diamond.  Separately, we meet a group involved in underground boxing.  This is the main group we follow, composed of Turkish, Tommy, and fighter Gorgeous George.  When Turkish sends Tommy and Gorgeous George to buy a new caravan from a group of nomads, Gorgeous gets hurt by Mickey O’Neil.  As Turkish is under pressure to find a new fighter for the next event by Brick Top, he makes a contract with Mickey for him to fight in Gorgeous George’s place.  Brick Top wanting to make some serious money wants Turkish to rig the fight in his favor.  When the fight does not turn out as planned, Turkish and Tommy find themselves in the bad situation of owing Brick Top.  During that time, a group of tugs introduces earlier is looking for money, thus they decide to hold up a booking agency, or bookie, and find themselves owing Brick Top in a different way.  While all of this is going on, the diamond is changing hands in multiple ways.  Now, you may think this story is convoluted and it is, but in a good way.  I have skipped some story details on purpose as this movie needs to be seen and paid attention to to have its story understood.

What keeps the story from becoming a ridiculous mess of characters and storylines is the writing and directing by Guy Ritchie.  In the case of Snatch, I do not believe the story could have been directed successfully by anyone but its own writer.  Guy Ritchie rose to fame with Lock, Stock and Two Smoking Barrels and solidified his right to the spotlight with Snatch and more recently with Sherlock Holmes.  The story here is written and directed in a manner where each event unfolding plays an important part in the whole.  No character is introduced uselessly or too hastily.  Each important character, such as Franky Four Fingers, Turkish, Mickey O’Neil, and the rest get enough back-story and exposure to be cared for, or hated, by the viewers.  Those back-stories are shown in quick-cut flashbacks that add to the relentlessness of the story.  Some characters getting such a back-story may seem not as important as the others, but do not get fooled, every character is important in Guy Ritchie movies.

The way the story is shot and edited is very important here.  The cinematography by Tim Maurice-ones (Lock, Stock and Two Smoking Barrels, Revolver, Filth and Wisdom) showcases not just the story but also the areas of England where the movie was shot, making them look grimier or dirtier when the story needs it and making some locations look absolutely peaceful when they might not actually be, either in real life or in the story.  The editing by Jon Harris (Layer Cake, The Descent, Kick-Ass) supports the pace of the story going from long-ish shots when characters are having calm conversations to quick cuts when we see the back-story to each character or when their storylines become more frantic.  These two aspects of the movie are not to be overlooked as they bring a heightened sense of urgency as the storylines get closer and closer to their respective endings.

Supporting, or maybe supported by, all of the above is the acting.  Considering some of the actors started our as sports stars or thugs, the performances Ritchie gets out of them are worthy of any other great actor, which is not an easy feat.  A lead character is hard to pinpoint in Snatch as there are so many storylines, thus I would say there are more than one.  In one of the leads is Jason Statham (Lock, Stock and Two Smoking Barrels, The Transporter, The Expendables) as Turkish.  Statham started his career after going from Olympic athlete to thug and was then discovered by Guy Ritchie who hired him for Lock, Stock and Two Smoking Barrels.  Here he gets one of the meatier parts, his performance proving him to be a very good actor and solidifying his career at the time, leading to even bigger movies. 

As his sidekick Tommy is Stephen Graham (Public Enemies, Gangs of New York, Pirates of the Caribbean: On Stranger Tides) who supports Statham perfectly and may even outshine him on an occasion or two. A surprising presence in the cast, rounding out the trio for the Turkish storyline, is Brad Pitt (Thelma and Louise, Fight Club, Megamind) as Mickey O’Neil, or Mickey the Pikey, who does what he does best and literally becomes his character.  If you are not a fan of his, this movie should bring you to the ranks of his fans.  Another surprising presence is Benicio Del Toro’s (The Usual Suspects, Che, The Wolfman), as Franky Four Fingers.  His short but memorable performance shows a more “fun” side of his career and is worth a watch on its own.  Listing all the fantastic performances in this movie and why they are so great would take much more space then I have here, so let’s just say that everyone from Alan Ford as Brick Top to Vinnie Jones as Bullet Tooth Tony to Ade as Tyrone does a great job and that some surprising cast members pop up randomly all along this movie.

So why is Snatch a must-see?  Snatch is a fun, thrilling movie that has stories to keep your mind thinking about it for days.  More than one viewing is necessary to “get” everything in the multiple storylines and to catch every detail of the story and connections between the characters.  Another reason to watch Snatch is to see what I consider the quintessential Guy Ritchie movie.  If you are not a fan of his, this should make you one.  If it does not make you a fan or at least respect his work, his other movies might not be for you.

On a side and final note, if you can get your hands on the DVD edition of Snatch with Pikey subtitles, go for that version.  The subtitles, that apply to what Brad Pitt’s character Mickey is saying only, bring an extra layer to the story and even have a small extra “joke” in them.

 

 

Reproduction and reprinting should only occur with express written permission
and proper credit to Cinema Crazed and its authors.
 


[   Digg!   |   Link to Us   |   FAQ   |   Top^   |   AddThis Social Bookmark Button   ]

All written reviews material and content are a copyright of Felix Vasquez Jr. and Cinema Crazed.
Content borrowed without written permission will not be permitted.

¤ ¤ ¤