|

Fiona: Are you
retarded?
Aidan: Why does everybody keep asking me that?
If you’re going
to create a drama that’s based on only two characters and reliant on
dialogue, you’d better have the ability to write and back up the
ambition that comes with the territory. Alexander’s drama is a film that
wasn’t an immediate win for me, I’ll admit; I found it cliché, a bit
redone, and lagging. But upon further delving into the story, “A New and
Accurate…” is a rather tight drama romance with an interesting
inadvertent allusion to “Eternal Sunshine…” with a hint of “Before
Sunrise.” Erik Wolfe’s Aidan is an interesting confused go getter
looking for a direction in the world, and there’s Jennifer Stackpole who
is perfectly cast as the unlikely ideal woman Fiona, who helps Aidan
come to a realization about his life.
Stackpole is the
highlight here; no offense to Wolfe, but I bought her character more.
She’s not the typical idyllic woman as she’s void of any cliché or
actual artificial personality, and seems awfully approachable. She looks
like an actual woman, and that makes her character an interesting
guiding light for our character Aidan. Stackpole is lovely, and she
really fits into her performance. “A New and Accurate…” is a dialogue
heavy and verbose New York based drama that I really enjoyed, mainly
because it reminded me so much of a Richard Linklater production. Hell,
it’s so well written even the small jabs at the production by the
characters worked with flying colors.
|
Erik Wolfe
as Aidan is a likable humble individual who I often cared
about even when he griped about his life. The dichotomy
between the two people who drift to one another and find it
impossible to tear themselves away will constantly have you
asking about their fates. Will they fall in love? Will they
be friends? Or are they just kindred spirits just meant to
encounter each other just once? |
|
 |
Alexander relies on
the talents of his cast, and it’s a wise move; the two are simply
stellar and provide a great dynamic of two strangers finding a common
bond in spite of their vast differences. But then Alexander never keeps
Fiona an idyllic figure, he instead turns the plot a bit on its head,
and begins to delve into Fiona’s life and personality. She’s not the
perfect free spirit she’s first depicted as, and the direction taken
into the second half works due to Alexander’s gradual transformation
that further elevates the film. “A New and Accurate…” is less a drama
about a holiday fling and more about random meetings leading to
something that gives you a new perspective on life, thus Alexander gives
a full explanation of what the title alludes toward, and his movie comes
full circle.
I admit that I was a bit disappointed with the climax. Though the
general delivery of it is sweet, the way it all comes to a close feels
so safe and pat to really take seriously. Alexander never really just
leaves it as a tale of two people finding each other and drifting apart.
While I like happy endings as much as the next man, it felt like a bit
of a cop out to have the build-up and then suddenly have it end on such
a saccharine note, that sadly felt tacked on at the last minute. As for
the first half hour, it often veered closely to art house dribble to
become an instant sell. The black and white photography followed by the
convenient meeting felt too self-indulgent and only until after we
finally progressed into the story could I be convinced to dismiss the
convenience of the meeting between the two.
Kudos to everyone involved in this production, “A New and Accurate Map
of the World” is an ambitious and utterly entertaining drama that won me
over thanks to the talents of Alexander, and his strong cast; this is
something I’d definitely pay to see. Linklater fans need apply.

|