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Begleiter treads into the realm of the comically absurd, something that
I am quite fond of. I love strange, odd situations that appear seemingly
out of the blue, and this film, unlike many films I have reviewed made
by independent filmmakers, at least has an interesting and randomly
awesome conceptualization. A dog loses his owner, we see into its
thoughts, the dog turns into a human, and rejoins its newfound master.
We see into the dog’s thoughts, and there’s a neat effect of
sound. In fact, given the seeming limitations of the film
involved in terms of technology, this movie is really finely
torqued and works quite well for an indie.
The characters are likeable and interesting, and we even get
an awesome cameo from Ken Osmond, seemingly out of the blue.
A lot of fun. |
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In the end, novelty of concept can’t sell a film, that’s why I rated
this at about average. The concept is novel, but there isn’t much time
spent developing the characters involved. Their motivations are fairly
common and paper thin, there are many clichés outside of the dog’s
direct interactions, and in the end there is a definite lack of finality
as to what happens, which is supposed to be made up for by the amusing
end, but it makes the show come off a bit like an art film as opposed to
the fun, legitimate awesomeness it seemed headed for. It felt like a
teeth-cutting film, but a good one.
Like the horse racing pamphlets would say, “Worth a look.” I’m
interested to see what else Dan can come up with.

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