|
It’s about time you face it, fans of “Beowulf,” Hollywood is never going
to create a movie that’s a hundred percent faithful to the original epic
story, period. Firstly, because the word is that it’s too hard to adapt,
and secondly because Hollywood just doesn’t want to. They have the
concept to build on with the director’s own creative visions to do the
rest of the work, so give it a rest. I’m sure “Beowulf” is an excellent
story, but it’s never going to happen. You too, fans of “I Am Legend.”
So, until then either read the original material or suck it up and watch
the movies. Matt Stone and Trey Parker once explained that the reason
why they spoof Michael Bay movies is that the heroes and villains in his
films know they’re so cool and hot shit that it’s tough to take them
seriously, let alone sympathize or root for them. Well, they have never
met Beowulf. Zemeckis’ version of Beowulf is nothing more than a buff,
male stereotype who is never afraid to lay in the nude, boasts about
stories that most likely never happened to him, and is disgustingly
cocky and full of bravado. I’ve never seen a hero in a film before that
I just could not stand to watch, and lo and behold,
|
Beowulf simply rose to the occasion and was a main character
I absolutely despised. He scoffs at the locals, he
undermines the obnoxious king, and he purposely hits on the
queen, all the while he’s an incredible warrior. Sure, if I
were packed like a powerhouse and able to take on monsters,
I’d be a bit full of myself, too, but Beowulf is so
unlikable, he’s practically a villain.
|
|
 |
“Beowulf” is an endurance test and one that asks for people to sit
through a rambling and incoherent story filled with awful pretensions of
being a period fantasy that’s both unique and amazing, when it’s neither
of these. Instead, only forty minutes in I found myself checking my
watch and considering turning it off, because Zemeckis failed to peak my
interest at every turn. Every bit of story is lethargic and incredibly
uneventful with diatribe after diatribe of great battles fought, and
forced tension, all the while the animation, as realistic as it presents
itself to be, really just fails to inspire a whimsical and raucous
energy that Zemeckis can never inject. The tone is attempted machismo
with a sensational homage to films for men, and the entire time all I
could do was yawn and hope that the monsters would come to destroy every
single character here. Beowulf is a Norse super warrior who exaggerates
the supposed legends of his life, and somehow that’s an admirable flaw
to his character. Either way, the entire premise and intent to “Beowulf”
comes off as forced and vain and is flat from minute one. It’s a bland
and lethargic piece of Hollywood tripe that not even the presence of Ray
Winstone could salvage, and I couldn’t be more disappointed that it
turned out so flat a film.
I wondered why
Zemeckis’ film wasn’t nominated for an Oscar, and I now I know.
“Beowulf” has potential, but fails at every turn to be entertaining,
coherent, and watchable. It’s a flat, boring, and brutally obnoxious
animated film filled with dead eye CGI models that are appealing and
nothing more.
|