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Steven Blume is a man who just doesn’t know
what he wants. He’s middle-aged and still so enticed by women, even
though he once had a great relationship with his wife. He wants to have
his cake and eat it, too. But he’s such a self-involved walking
contradiction, that he finds he just can’t find satisfaction with anyone
else but his wife. And now he wants her back. But why? Territory,
perhaps. Feelings of entitlement, and probably so he can be able to
cheat on her again. Because with a wife he’s a married man cheating, but
without her, he’s a single middle-aged man who can’t find satisfaction
with a woman. George Segal is great as this sexually confused man who
wants to be married and still have the advantage of being with other
women. But he learns that’s not how life works, sometimes.
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It really does add a sense of
irony that Blume can not accept that his marriage is over,
even when his wife Nina moves on. Because she becomes the
forbidden fruit, the blossoming flower she could not become
in their marriage. Married to her, he complains to his
therapist that there are so many women out there that tempt
him, “How could I not?” he asks. But once Nina becomes
untouchable, and completely dismisses anything he has to
offer her after their divorce, suddenly he realizes she’s
desirable. |
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And thus, without him she blooms into
someone better. She learns Yoga, and music, she’s stronger and
outspoken, and her life isn’t so dead end anymore. Not to mention she
meets a kind musician (played with gusto by Kris Kristofferson) who
lives out the back of his VW, and relies on his ambitions to get by.
Blume, self-absorbed, and devoted to self-gratification, can not
understand this. As we delve deeper into their relationship, we learn
that the marriage was over way before the cheating began. Even though
Blume never can draw the conclusion. Mazursky examines with such
insight, the intricacies and politics of marriage and relationships, and
makes Blume a likable sap, a man we can involves ourselves with, even
though he’s not smart enough to catch on to certain realities.
Mazursky's relationship drama is very much in the vein of Woody Allen,
about a self-absorbed man we can't help sympathize for when he loses the
love of his life, and can't quite understand why, in the face of
adultery. George Segal is memorable, and Mazursky's film is thought
provoking.
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