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Intended as a preamble to a feature currently in development, Elaine
Zicrees “Bonnie & Clyde: End of the Line” features the twosome at their
lowest. As desperation and fear sets in, they find themselves in a barn
contemplating their lives, and confronting each other on what led them
to a life of crime. Zicree’s short is filmed in a grainy and glossy
retro atmosphere that keeps “End of the Line” constantly genuine in its
setting and attempted period angle. While some may think it attempts to
glorify the crime team, “End of the Line” is actually the portrait of
two people stuck in an endless loop of crime, and their inability to
think beyond breaking the law.
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Zicree and
Sedgewick think beyond the crimes and antics and attempt to
delve into the psyche of the duo, portraying the demons that
haunt them, and how they can see nothing but crime and
inevitable death awaiting them. Zicree directs a film that
possesses some rather above par production qualities, from
the claustrophobic setting, to the wonderfully lit scenes of
the two turning to one another in a world they’re alienated
from, Zicree keeps this drama a consummate piece worthy of
acclaim. |
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The details to
keeping the set pieces true to the era seem almost painstaking and it
shows through the tiniest detail. Dixie Lee Sedgewick and Dominic
Comperatore are a worthy team to portray the couple, as they provide a
healthy conflict and volatile chemistry needed to convince audiences,
and the two really sell “End of the Line” as a strong drama leading to
the potential death that awaits them just as they considered a life of
law abiding.
Beautiful
production values, attention to detail and good performances from its
cast make “Bonnie & Clyde: End of the Line” a worthy glimpse into a more
docile Bonnie and Clyde before they met their fates on the road. I’ll
await the full length film.

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