2007
Rated: Unrated
Genre: Short Crime Drama Thriller Romance
Directed By: Tran Quac Bao
Running Time: 18 Minutes
Review by: Felix Vasquez Jr.
Review Date: 3/1/08
Special Features:
N/A
BOOKIE

 

I’d really love to see what director Tran Quac Bao can do with a feature length movie, because at the rate he goes in with “Bookie,” I’d say he’s on the cusp of a big career ahead of him. “Bookie” from front to back is a tight small production that successfully manages to be a tense neo-noir with some rather fantastic set pieces, and an interesting soundtrack, while also giving us a great romance picture in the process. “Bookie” revolves around a young man who has to take bets for his boss, a local club owner and mobster, and suddenly has affections for a waitress who he wants big things for, particularly relinquishing of her debts.

“Bookie” has a rather superb photography to it filmed in a stark black and white cinematography that keeps the world of the Bookie centered mainly on this night club to where he relies on for work and security. Though apparently low budget, Bao’s clever writing paired with his ability to convince us we’re in another era really keeps “Bookie” as an above par noir actioner with a sympathetic lead in Bookie who, like his boss Jackson’s other lackies, simply wants to move on and get out from under his shadow.  

The shots of Jazz singers, the closed in night club draped in shadows, and the eventual dark alley where most of the dirty work occurs is almost pitch perfect, and further succeeds thanks to the performances by Ken Quitiga who is rather entertaining as the humble bookie looking to help whom ever he can and can’t quite pull it off. His character lacks any essence of cliché and he keeps “Bookie” afloat. Angela Adto also shines as the often suffering waitress Billie who is forever in debt under the club’s boss, and has a great chemistry with Quitiga. “Bookie” could have just been a mediocre effort, but thanks to the subtle setting, and the tight performances, it’s a great ticket for Bao to go on to bigger projects.

Bao’s short is probably one of the most convincing low budget period pieces I’ve ever seen with some rather fantastic set designs, great performances, and a truly engaging story that balances well between neo-noir, romance, and action. I really hope we see more from Bao in the future.

 

 

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