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My original thought going into the latest Neil Jordan movie was that he
was really pushing for a revenge film. And then I also thought that
Jodie Foster was going for yet another evil man movie with sister
soldier fighting the cod swinging male monster. But in reality, “The
Brave One” is neither of these things. Foster’s film is not a bashing on
the male sex, it’s really more of a look at senseless violence and the
inherent justification we attempt to convince ourselves of when it comes
to acts of retribution. “The Brave One” surpassed every expectation I
had, and I was glad to see that Jordan gives us much more than a revenge
film. Jordan tries to get beyond the simple revenge film and provide
more of a stern glimpse at vigilantism and murders that are sometimes
more justified than the next.
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Erica Bain is a local radio show host who tends to glorify
New York through her poetic visions, but on a walk through
Central Park with her boyfriend, her dog is snatched up from
her and she and him are beaten near death. Erica awakens
barely stable, and suddenly she learns that New York isn’t
the city she once loved and, armed with a firearm, finds it
in her to stop whatever crime she comes across. |
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Very similar to “Ms. 45,” Erica dresses in unusual attire and always
seems to find trouble and murder where ever she goes, and instantly she
becomes a vigilante who feels it is her duty to rid the streets of
criminals; this requires a suspension of disbelief. Jordan attempts to
keep his world mired in realistic consequences and situations that
aren’t always so easily resolved. Erica finds a nemesis in a conflicted
Detective Mercer who is at first chasing her crimes, and then builds a
friendship unaware of her deeds. Mercer is another one trapped by the
law who feels he can’t properly do his job thanks to the confining
guidelines of the law, which often leaves him with feelings of vigilance
that manage to be lived through Erica. Jordan provides a wonderful
display of raw acting talents from Terrence Howard and Jodie Foster who
are dynamic playing off each other and individually.
Though the most unlikely of co-stars, their chemistry makes for the most
engrossing cat and mouse word play Jordan captures well. As the evidence
to her connection to the vicious crimes mount, Mercer more so realizes
that this woman may have to suffer harsh punishment for her acts, and
Bain doesn’t seem to mind it too much, as she welcomes being caught, but
also willingly runs from her murders. Foster for once provides a great
performance in an actual good film after slumming in muck like “Flightplan,”
and Howard is just great sending signs to her that he will catch her,
just on his own time. “The Brave One” is yet another revenge film of a
sorts that attempts to provide us with honest questions of means to an
ends, the exceptions to murder, and whether the ring of violence should
have someone to stand up to put down the criminals, all the while
hearkening back to pre-Giuliani New York.
For you to sit through “The Brave One,” you really have to put logic and
suspension of disbelief on hold with a great endurance, because the
writers really ask us to buy into these scenarios that just aren’t
possible. Are we to believe that in this day and age in post Giuliani
New York City, that a woman with a gun would be able to go out and
become a vigilante without being caught in an instant by anyone beside
the officer seeking her out? Are we to believe that an average New
Yorker can really go out with a gun and fight crime and not eventually
be seen as a criminal and inevitably spotted by a witness? Granted, it’s
fiction and a pure violent fantasy but to really ask us to buy that this
situation could occur is really very much of a stretch, in the end. As
for the writers, the Taylor’s never seem to make up their minds what
kind of statement they’re making. On the one hand they seem to be
advocating Vigilantism in special circumstances asking us to consider
that perhaps it can be a situation worth pursuing, and on the other hand
they seem to be looking down their noses at it, particularly in the
climax where they just undermine every undertone towards means to an end
that they set across in the first half.
In spite of some demands of putting logic on hold, "The Brave One"
features a Jodie Foster returning from the muck of previous roles, and
ultra-hot, with some excellent takes on morality and vigilantism with a
great dual role from Terrence Howard.

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