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BROKEBACK MOUNTAIN
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You are in the elite who know reality shows are not real, who know how horrible Ashlee Simpson sings, and who know that watching a movie with gay people won't turn you gay, just like watching a movie with all black actors won't turn you black. "Brokeback Mountain", based on the short story by E. Annie Proulx, tells the heartbreaking story of two ranch workers whom are forced to herd sheep and must camp out with the animals. The two don't really get along too well, but they talk and there's obvious sexual tension from the get go, and after a few sexual confrontations, they decide not to see each other again. "Brokeback Mountain" is surely in the spirit of films like "The Notebook" in which two people's love survives time, and new relationships, and soon they begin seeing each other again after four years apart, and when they get together they discover their passion is still there, and boy does it ever follow with a punch in the stomach plot twist that will leave you with your jaw open. "Brokeback Mountain" is an original piece of filmmaking in every conceivable definition, and it's not a "gay movie", it's a film about love, it's a film about love that can never be revealed. And that theme should and does transcend gender issues, and touches the audience on a personal level.
Our two main characters are opposites in many ways, yet still find it
difficult to be apart. Heath Ledger, who I've--many times
before--declared as a horrible actor, gives an excellent performance as
Ennis, the troubled and silent man who has no idea how to deal with his
feelings for Jack Swift. Gyllenhaal gives yet another great performance
as the man who knows right away what he wants, but he just can't have
it, but that never seems to affect his Brokeback Mountain turns essentially from a place where a new relationship is sparked to a veritable paradise almost detached from the homophobic generation they live in. The antagonism towards their affair is surprisingly under-played with no real obstacle other than their own embarrassment for their acts which they want to pursue but perceive as wrong because society does, and of course the women they romance and eventually shatter. Linda Cardellini has a particularly sad role as a lonely waitress who falls for Ennis and is torn to pieces falling for him, and of course Michelle Williams who really does give an utterly wrenching performance as a submissive wife who doesn't quite understand her husband Ennis's affair, doesn't really know how to approach it, yet hesitates to confront her husband on it or else she'll break their family in two. It's safe to say, though, "Brokeback Mountain" doesn't end on a light note, and really does end on a truly heartbreaking last sequence that makes the film worth its hype. Ang Lee's direction and Rodrigo Pietro's cinematography are gorgeous as they paint the world within these two men's family as cluttering, artificial, murky, and often dim, while they paint Brokeback Mountain as a sanctuary for these two with rolling clouds, and amazing forests. "Brokeback Mountain" and the success following it truly shows how America really has managed to evolve in its sensibilities and feelings towards homosexuality, and it's a sad elegy about forbidden love that portrays its characters not as stereotypes or clichés, but as human.
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