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COOP'S NIGHT IN
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Most helpful is Burke’s direction as his camera work is based around a series of shaky close ups and hovering around the characters, which adds to the sense of realism that we’re eavesdropping, instead of watching. Best of all is the writing in which Burke enlists fluid dialogue that never felt padded and turns these characters into truly complex individuals, even though they start off as booze chugging teens. Burke begs the question, not of what will happen that night, but what will happen as a result of that night. He leaves the door open, and one can only really imagine. The interplay between characters is never forced, and that’s due to the all around very good performances from the cast, particularly from Weinberg whose portrayal of Coop is sympathetic and low-key. He’s shy without being bland. The film only becomes more insightful as Burke studies human interaction and relationships well. Burke takes vapid characters and paints them into more complex individuals, people whom are living their lives quickly, and discover they’re all afraid of something. Coop’s own situation and his desire to revert back to a child is his own projection of fear of interacting with others, and approaching the girl he’s in love with. Burke’s short is very reminiscent of films like “The Big Chill,” and he presents an interesting and entertaining drama.
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