We’re shivering under self-imposed ‘heatless Tuesdays’ here, trying to save a little dough so baby can get a new pair of shoes. Bad thing to do in the dead of winter, (scrimp on heat, that is – new shoes are good to have when your feet are cold) but I know it means that Summer is right around the horizon and with it comes the Summer Movie season – starting March 3rd this year. I’m waxing my board ready to surf a sea of sequels and remakes, again. Not really, I’m just getting around to watching last year’s sequels on DVD, such as: Spiderman 3 and Evan Almighty!

I love Sam Raimi. Evil Dead and its sequels are among my favorite movies, and for a variety of reasons. Darkman is OK, but by the time A Simple Plan rolls around, it’s obvious Raimi’s the real deal. How happy I was to learn Raimi had snagged Spiderman, and when the box office receipts started tallying I felt great pride.

Pity I’ve not really liked any of the Spiderman movies, but when rakings equal GNPs, they’re gonna keep on coming, which leads us to Spiderman 3, the worst, and best, of the bunch. Boy, when you’re spending over a quarter-billion dollars to make a movie, you’re gonna end up throwing everything in. For part 3, Spidey amps up a weird pas de deux with his frenemy Green Goblin junior, and then Thomas (Sideways) Hayden Church turns into a super-thug-of-sand, and then Peter Parker wants to marry Mary Jane but her heart is torn, and then an alien glob takes over Spidey/Peter Parker, and then Topher Grace shows up and then and then …

… and then we’re exhausted by the overlong running-time, silly melodrama and ultimately numbed by the fact that 90% of the movie is CGI. On the other hand, that CGI is just getting better and better (I was stunned by the fake-itude of the first movie’s effects) and the action sequences, largely, are exhilarating.

I guess I (unlike the fan-boys) don’t hold Spiderman too dearly, because Parker’s transformation into a disco-loving Russian Mobster circa 1992 (complete with numerous, hilarious dance sequences) strikes me as possibly the best part of the movie. Utterly derailing in its intensity of self-deprecating humor, this homage to Saturday Night Fever reasserts the fact that Spiderman is a comic book (sure, an old-school neo-realist one) and that these movies shouldn’t be taken too seriously. To prove that point again out trots Topher Grace, the cosmic understudy for Tobey Maguire, for a face-off that has yet another sequel in its DNA – Marvel Team-Up: Tobey and Topher take on the High-school Jocks. Put upon nerds everywhere are holding their breath.

 

So should we, as Nation, as a Culture, allow folks to spend serious money – like, start teaching Physical Education again, or insure the poor, or cure a disease-type-money – on triflin’ entertainment such as a Sequel to an Awful Jim Carrey Comedy? When it’s starring Steve Carell, why not? But for reals, Evan Almighty, as stupid, lowest common denominator and Bible belt pleasing as it is, is a damn sight better, funnier and possibly even more meaningful than it’s forebear Bruce Almighty. And you can really see the money on the screen.

Tons of animal and deluge CGI aside, they built an actual, life-size ark for the movie, and damned if you don’t completely buy into the enormity of (and by default the central conceit of the film) the concept. I bet it’s the single biggest line item in the budget. And not only does it work, but Carell works too. He’s the only actor who could pull it off, he’s got a much subtler than Carrey knack for physical comedy, eyes that sell whatever ridiculous thing he’s doing, and he creates the illusion that he’s totally without ego – even if he’s playing a pompous self-centered dolt (ala The Office).

Anyway, Carell plays a newly elected Senator (somewhat doltish) with a hot wife and three sons. Just as he’s (quickly) warming to the idea of being wealthy and powerful, Morgan Freeman as God shows up to spoil the party. There’s another ark to build, possibly because of an impending flood. Cubits and cubits of lumber arrive and the requisite pairs of animals. Meanwhile, Carell tries to hold it all together while rapidly growing a thick white beard and sporting ancient robes. The humor derived from these situations is often mild, sometimes pandering and boneheaded, but is always elevated by Carell’s intensity. His resigned but secretly-getting-into-it attitude as he transforms into a biblical character makes for some fresh, amusing comedy.

  Evan Almighty may have been a miserable failure at the box office (compared to its massive outlay) but most critics lambasted it unfairly. Yes, as a sequel it is unnecessary, but as a stand-alone vehicle it’s not bad – expensive, yes, pandering, yes, a few animals short of a full ark-load, yes – but what do you want, chum? Steve Carell runs circles around Jim Carrey in the comedy and likeability department, and can you imagine anyone else in the world playing God at this point, besides Morgan Freeman? And for those determined to leave the theater (and now the couch) with a grumpy little frown, the credits sequence comes with an hilarious cast and crew dance montage that would make even a dead person smile.

Maybe these big budget ‘flops’ - that didn’t triple their already astronomical budgets with box-office receipts – will signal an end to sequel mania, but I frickin’ doubt it. The best a responsible movie fan can do is ignore them until they wind up on disc, where the laughs and the scoffing can be had on the cheap. It’s a lot easier to enjoy Maguire’s evil strut in the comfort of your own home, know what I’m saying?

 

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