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When a
coroner brings in a charred body, he and a doctor named Elizabeth discover that
the body is that of Dracula. When they get a mysterious offer from a buyer who
will offer them millions of dollars for his body, they and a group of college
students decide to take it upon themselves to discover what makes Dracula immortal while
hoping to extract the evil from within the essence but when Dracula becomes too
hot to handle, a mysterious knife wielding priest is on the hunt for them and
will stop at nothing to take Dracula down.
I liked "Dracula 2000";
despite being basically panned by horror fans and ciritics alike, speaking as a
hardcore horror fan, I felt it was basically an entertaining experience with
some really hot chicks like Jennifer Esposito and Geri Ryan to glance at. Gerard
Butler despite being given little to do as Dracula was basically memorable, so
it'd be understandable why, after such a fun movie, I'd be skeptical about a
straight to video sequel to a movie that was just entertaining but hardly
influential.
Aside from the fact that
none of the film's original cast members arrive to the sequel, there are some
actual likable qualities to this film. Stephen Billington plays a completely
different looking Dracula this time around who sports a blonde Billy Idol
resembling coif, but manages to become very effective and a bit more charismatic
than Butler as Dracula. The scenes where he's strapped to the table while the
carnage ensues around him is truly engrossing and effective as the audience gets
to understand how much of a psychological and dramatic influence Dracula can
have on people around him despite not being completely mobile.
The make-up effects for
the character are truly good and Dracula actually manages to come off as a
threatening savage being rather than a Playgirl model like the first one. His
scenes where he stares at the characters and peers into them basically driving
them against each other are very eerie and improves his presence among the
story. The film manages to pull off the atmosphere intended for this brand of
vampire film, and despite being completely inept in his approach towards
directing a vampire film, director Scott Lussier gets most of the shots right.
There are some very cool
and memorable scenes in the climax when it's become evident Dracula has been
toying with everyone. It's noted in vampire texts that vampire have the
compulsive need to count and untangle things, and it's a great plot element
addition, and it's truly incredible when we watch London's character attempt to
stumble Dracula with a net and seeds which Dracula dispenses of with ease. Jason
Scott Lee and Jason London despite being given barely anything to do manage to
make use of their roles and become some of the most likable presences during the
film.
Don't
believe the hype; whenever a movie is presented by a famous horror director or
institution, there's a good chance the film won't be any good, ala "Wes Craven
present's Dracula 2000" or "Fangoria presents I, Zombie" and there's a good
chance they didn't even view the film. "Dracula II: Ascension", a direct
direct-to-video sequel to the cheesy yet entertaining horror film "Dracula
2000", the credits begin with what? "Wes Craven presents" in big red bold
letters. Did Wes Craven even watch this film? There's a good chance he didn't
because why would a man who's directed major horror films like "A Nightmare on
Elm Street" and "Scream" find this even the slightest bit at his level?
Studios probably pay
directors to add their names to these projects that are below what you might
call "Quality horror" if there's even such a thing anymore. The film has a good
formula, a group of people decide to play god and think they can A. control
Dracula and B. discover what makes Dracula immortal. Foolish idea to say the
least, but Dracula isn't played by the magnetic and kick-ass Gerard Butler
(Reign of Fire, Timeline), instead he's played by a Billy Idol coiffure sporting
Steven Billington who doesn't do that bad a job, but nonetheless you have to
wonder why he's sporting long curly hair in the first and short blonde hair in
the second, but never fear, as Roy Scheider explains (in a wasteful terrible
cameo) that Dracula changes form with every resurrection.
Oh! That would explain
why he looks like Bela Lugosi in some films and Christopher Lee and Frank
Langella in others, that's odd seeing as there's no such a rule applied in
textbooks regarding Dracula and his powers, but hey let's all make it up while
we go along, huh folks? Second of all, the first film's storyline is
disconnected and every cast member is gone (Gee, I wonder why). This second film
has no characters to root for and the main pivotal characters are too bland to
even care about. There's your usual cast of annoying cookie cutter characters as
are featured in these horror films.
There's your token
minority character who spouts bad slang and sells drugs, the kinky dispensable
blonde girl, the wide-eyed whiny virgin chick, the older growling mentor played
with the scenery chewing Craig Scheffer, and the dysfunctional hero ala Jason
London who takes it upon himself to discover different techniques to fight
Dracula when it's never really established why. Jason Scott Lee has a sweet but
tedious role as a knife wielding vampire fighting priest who always appears at
the right time when a vampire appears or when a person is about to become vamp
food. He walks around, seemingly without a car, in a large black trench coat and
spouts out cheesy one-liners to vampires who reflect his with their own cheesy
one-liners. At one point Lee's character rips off "The Crow" and says "You
picked the wrong day to become a vampire." Ah, you picked the wrong "Day", oops,
I smell an error.
Bah, but that doesn't
matter because there's not much material to enjoy in this clunker. Khary Payton attempts to chew up the scenery with his horrible character Kenny who does
nothing but spray machismo essence all over the film and deliver his lines with
poor timing. Nonetheless, the entire film wastes what very little potential it
has and becomes a poor sequel to a poor film.
While it's entertaining and interesting it's
also a hackneyed, cheesy, and a sub-par sequel effort to a sub-par guilty
pleasure that wasn't even worth gaining another film to it's title.

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