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In spite of all
our technological advances, in spite of DVDs and the rise of digital
filmmaking, Super 8 still has a valid place in the film world mainly
because it’s affordable, its obtainable, and it’s easily one of the most
credible forms of film that allow a movie to form a sense of merit and
respect. “Frankenstein’s Bloody Nightmare” basically has its head on
tight with intentions of being both experimental and surreal, and in
many respects, Hand knows how to convey both a nightmarish and
surrealist theme with a hazy picture that drifts from plain and sterile
to multi-colored and intense.
Hand’s film has a
very noticeable Lynchian feel as yet another take on the Doctor
Frankenstein character. Hand’s film is a pure mixture of sixties
psychedelic grind house exploring the sheer utter madness behind a man
seeking to help his wife. Most of the film is based around truly twisted
imagery that Hand seems to have a lot of fun with conjuring up much of
the shades presented from “Re-Animator” that also mesh well with the
plot of this man collecting victims to help his loved one. Hand has a
surefire visual sense, and “Bloody Nightmare” is an experience.
Though Visuals seems to be what Hand is concerned about most of the
time, and that works against ‘Frankenstein’s Bloody Nightmare’s’ favor
basically because there’s never enough of a cohesive story, and never
enough characterization beyond what we should know about the two leads,
but most of the time the film is too concerned with flashing and
dazzling us with almost grind house effects that it never really cools
down and tries to tell a truly cogent story. Most of the time I could
rarely hear the spoken dialogue and when I could, nothing seemed to be
happening in terms of character motion or plot progression.
In spite of being a film that's often more concerned with visuals than
truly complex storytelling, "Frankenstein's Bloody Nightmare" is quite a
demented and interesting piece of experimental/grind house horror
filmmaking, and I enjoyed it.

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