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There’s yet to be a movie starring Alison Lohman that I don’t enjoy her
in. Lohman is perhaps one of the most underrated actresses in Hollywood
today, as she possesses a sense of innocence and fire that makes her an
entertaining leading woman. From “Matchstick Men,” right down to a
cheesy kid flick like “Flicka,” she’s constantly giving it her all and
she brings skill to each performance. For all its caveats, Lohman is a
saving grace and definitely makes this worth the time and effort. Tim
McGraw even gives a competent performance as the rancher father who
can’t seem to find a way to control Lohman’s Katy, and the two have an
interesting chemistry on-screen.
The thing to remember about “Flicka,” is that it’s not for guys like me
or perhaps not even for girls in my age bracket. This is a movie for
little girls around their preteens who have a horse fixation. It seems
like a stereotype perpetuated these days, but hell, girls still do have
a horse fixation. “Flicka” feeds that fantasy element, without any of
the actual realism to go along with it. But for folks giving the movie
an honest chance, it won’t click with them. I gave “Flicka” a surefire
chance, because it sported a few of my favorite actors, but the movie is
its own undoing. Possibly one of the most obvious caveats is the films
propensity to sport some truly sappy dialogue. The film’s entire
atmosphere is aimed to the children, but there are some sequences based
around awful dialogue, and it’s worthy of a cringe or two on many
occasions. One of the most inadvertently funny moments involves Katy’s
father hauling Flicka away with Katy responding a rather funny
one-liner, along with her brother who also sneers and confesses his
desire not to work on the ranch.
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I forgave the film’s shamelessly formulaic setting, but the
disconnected sequences of pure sap and soap collectively
bring down an otherwise potentially strong drama for the
kids. One of the more annoying scenes involves Katy’s
convictions of singing to Flicka to tame her, and the
obvious tribulations she experiences while fighting for the
horse. There’s the old fashioned father looking to keep his
farm afloat, the put upon son looking to break away, the
head strong daughter, and of course the submissive wife
acting as a moral center. |
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Some of these clichés tend to border on sheer laziness, as writers
Rosenthal, and Konner, no strangers to clichés, quite obviously crib the
book of movie clichés and characterize on auto drive halfway in; don’t
even get me started on the obvious wild Lion plot device. If that’s not
enough, the film rears towards camp, as Katy pretends to be a man to
enter a rodeo competition and really just looks… like a tranny. With
another crew, this could have been a charming little family picture, but
there were so many moments of awkward corniness, and eye rolling
cutesiness, that this will just about alienate everyone beyond the
demographic. Sadly more, Bello is wasted in a utilitarian role as a
submissive and often moral mother who appears only to provide guidance
to Katy and have wars of words with Rob, and nothing more. It’s a shame
Ms. Bello couldn’t be used to a better extent.
In spite of some
strong performances from some truly talented actors, “Flicka” is a thick
saccharine sappy and soapy remake, with horrid dialogue, a formula story
near laziness, and a waste of the talents of Maria Bello. Perhaps the
children will enjoy this, but I was just choked by the corniness.
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