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I can't think of a single reason why you shouldn't find the eels funny.
Not only do they work well taking the load of the uneven comedy off, but
they're awfully hilarious as the singing segues who almost never wear
out their welcome. Beyond that, there's also the funny pop culture riffs
including Roddy coming across a Wolverine costume, and a rather
unexpected but hysterical Batman and Robin homage that worked quite
well. And hey, it's difficult not to love Kate Winslet, but that's
another story for another time.
Depicted
on-screen for the very first and last time is the disastrous and rather
ugly combining of the forces of Aardman and Dreamworks, and what a
sight. As a fan of both studios, I have to say “Flushed Away” is a sadly
misguided effort with no idea what it wants to be. At times it’s wholly
a product of the British culture with a primarily British cast, and many
colloquialisms and mannerisms of that country, and then it sets out to
be another cheesy “Shrek” wannabe with a pop rock score, toilet humor ad
nauseum, and a plot that lacks any of the charm and subtlety the Aardman
is usually accustomed to. It’s a good thing that Aardman decided to
split from Dreamworks, honestly. “Flushed Away” is a film I’d love to
have enjoyed, but I just didn’t.
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It gives us
the usual style of the “Wallace & Gromit” episodes, except
with the stale monotony of computer animation, neither of
which is ever an interesting hybrid. “Flushed Away” has a
basically forgettable plot of a domesticated rodent who is
shoved into the underworld of crime and goofy gangsters
after his home is intruded by an aggressive sewer rat. |
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His attitude toward
his new scenery is placed in the background, as is the established
dilemma, in exchange for a more convoluted sub-plot involving these
gangsters and their attempts to rule the sewer with their search for a
diamond. What do rats want with a diamond? Who knows? But “Flushed Away”
basically expects us to invest in these characters all in such a hasty
pace, and there’s simply no affection or sincerity at hand. The sheer
charm from Aardman’s usual animated works is clearly sold away by
Dreamworks who never use the cast talents to their fullest at any point.
Not a single character stands out, and not a single actor actually seems
to be enjoying themselves. “Flushed Away” is sadly just another
disposable little concoction of an American studio trying to Westernize
a foreign animation group, and the experiment pretty much fails. I wish
I could have enjoyed this.
So confusing... so jarring... so utterly irritating, how I long for
"Wallace and Gromit" at this moment. While the movie definitely has its
moments of hilarity, the combination of British and American animation
and story styles makes for an awfully forgettable mess.
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