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AMY'S
IN THE ATTIC
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Saliba is a man who is constantly testing his heights and pushing his fans to see how far he can possibly go and with "Amy's in the Attic" it's an entirely new strata of shocking that also accounts for a truly brilliant piece of short filmmaking that I just could not get over. Saliba sticks about as true to classic exploitation as humanly possible devising a film that is a true grindhouse throwback with film scratches, a mixed audio dubbing of American and Italian language, and some scenes that are missing that only add to the mystique of the horror about to ensue before our eyes. Saliba and his crew must have painstakingly detailed the exploitation classics from the sixties and seventies to have compiled such a devoutly unique and novel piece of grindhouse art that feels as if it was pulled off a back corridor in a hidden film vault of some perverse filmmaker only a year ago even featuring some iconic songs from Donovan, Ennio Morricone, and Black Sabbath.
Particularly there's Kayden Rose as the ill-fated Amy who enters in to this soiree to indulge in some sexual thrills and is chosen out of a hat at random to become a sex slave for the night at the behest of the enigmatic game master Alucard. Matthew Saliba is brutally slimy and menacing as the silent leader of the group who watches them toil in their own sexual excesses until suggesting this mysterious game that takes a downhill slide as quickly as we can muster up the attention to watch with disgust. The ultimate surprise ending is superb and left up in the air for those of us wondering if this was all one big game of revenge, or perhaps just the cruel unexplained sexual satisfaction of a man whose lust knows no limits. Saliba continues rising as a filmmaker offering his master work with "Amy in the Attic," a true love letter to sexual exploitation fans. The fully stocked DVD features eight five minute Making Of Segments that explores the creative process of the entire filming including a crucial twist in the film and how it affected star Kayden Rose, who was understandably uneasy and uncomfortable during the process. There are also three separate commentaries with director Saliba and the entire cast, all of whom lend their insight to the film. There are also commentaries with Saliba and his editors on a few of his other short films featured. We get a great six minute still gallery, and of course the three shorts sans the commentaries which are "La Fin De Notre Amour," "Pandora's Paradox," and "The Manipulator and the Servant," all truly excellent shorts for the respective viewer.
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