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HOT SUMMER IN THE
CITY
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One of the more humorous aspects of “Hot
Summer in the City” is the presumption that it’s an actual movie because
its book ended by “Summer in the City” by Lovin’ Spoonful. Not only does
the song have nothing to do with the actual movie, but director Gail
Palmer seems to just have bought the rights to play it at the beginning
and end of her movie to add some sense of credibility trying to eagerly
convince us that there’s a serious plot here, instead of just a hint of
a narrative in between all of the rough sex and rape. In all honesty,
it’s just a hardcore porno with dashes of story here and there and some
wildly cartoonish Caucasian protagonists and African American villains.
And there's a lot of rape, too. Poor white chick gets raped by black
dudes. That's the plot.
Upon arriving home from a date, she finds
her mom in bed with two other men. Shocked (especially considering she
stood there for fifteen minutes watching) and non-confrontational, she
decides to go for a walk to cool off (makes sense…?) and in a stunned
state of mind is greeted by a small group of aggressive minorities who
decide to kidnap her and corrupt every inch of her Baker is incapable of providing even the minutest of emotions for her character. She can’t even cry properly when she reacts to her mom’s threesome, and her misery is not as terrible since she can’t even seem to convince herself that she’s in excruciating pain. There’s not even an explanation why walking in on a threesome would bring her to the verge of an emotional breakdown. In a twisted bit of clever (I use the term loosely) irony, the group of men don’t just turn her into a hostage, but she also becomes a cook, a maid, a confidante, and a sex toy. In other words, a slave; Poetic irony, bitches! Director Palmer at times doesn’t even seem to know what the hell she’s doing with erratic pans, goofy edits, and sloppiness for staging basic scenes. There’s also the inherent lack of tension in Debby’s predicament made worse by Baker who stands around pouting like a child, while the male actors aren’t convincing enough as villains. Palmer can’t even decide what the point of her movie is. Is poor Debby in the middle of a gang war, a victim, or is she just being toyed with? And why does Palmer place immense focus on a poker game between the four thugs? There’s no use getting your panties in a bind, as “Hot Summer in the City” is not much of a thriller to be offended towards considering the production is so horrific to watch.
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