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ILSA, TIGRESS OF
SIBERIA aka TIGRESS
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Ilsa and the great Dyanne Thorne are at it once again, this time in the sub-zero wastelands of Siberia. Ilsa is once again untouched and hardly a day old from her time as a World War II concentration camp owner, and grooming harem girls. Now, with LaFleur’s often sloppy direction, she helps run a labor camp in the forests of Siberia teamed with a group of violent soldiers, a cannibal tiger, and plenty of snow. Ilsa is once again the devil in sheep’s clothing, the egomaniacal merciless monster that dispenses of men in her own ways. She bashes their heads in, lets them be eaten alive by her pet tiger, and uses them as toys leaving them in the snow to freeze to death. Unlike “Haremkeeper for the Oil Shieks,” this sequel is a much better entry.
LaFleur takes an odd turn in the second half moving from a frigid prison to Canada where Ilsa has now suddenly hidden out among a bordello, and she’s confronted with someone from her past that happens upon her. What begins as a typical Ilsa movie then segues into a more action oriented crime drama in which Ilsa is intent on sealing all ties to her past, with her group of man servants at her sides. LaFleur not only provides us with an exploitation film, but he also trails into an all out surreal mystery with 3D illusions, and brainwashing. As usual, much of Ilsa’s world revolves around objectifying men, as well as making them suffer as much as she can. She drowns a few, leaves many to the tooth and claw of her tiger, and uses electricity to her advantage. Thorne is always fun to watch in this role, and really will burn herself into the collective memories of many male audience members.
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