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What starts off as an “Alien” rip off
degenerates into nothing but a sub-standard slasher movie set in space.
The horror genre is the one genre that sequelizes, copies or remakes
itself to death. When a winning combination is to be found the host of
imitators pops up in frightening numbers. Inseminoid is unsure of what
it wants to be. It appears to be an “Alien” clone, even setting us up
for the infamous John Hurt chest buster scene after a member of an
unspecified scientific expedition to an unknown planet is injured when
strange crystals explode and burn him. Surprisingly, the later scene
where the crew, including the burned crew member, is having dinner fails
to follow the expected route with no copied payoff despite the almost
obvious previous set up. Much of the movie’s running time dwindles by
before we even get a glimpse of anything resembling a creature, and when
a male and female team is attacked by a barely glimpsed monster if you
blink you’ll completely miss it.
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The female scientist, played by
Judy Geeson, is then impregnated by a glowing tube filled
with what appears to be seeds and then released to the
unsuspecting crew. The rest of the movie is almost a loosely
followed rehash of the film “Queen of Blood”, with the
impregnated and possessed Geeson killing and eating her
friends as nourishment for the creature growing inside her.
The acting is atrocious and the effects are less than
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The creatures look like alien puppets
with Down Syndrome and are never convincing or even remotely
believable as anything other than horrible special effects.
Performances range from bad to outright horrible, with one scene in
particular that stands out: a woman on the surface of the planet
gets her ankle trapped beneath a rock and takes the tube out of her
oxygen tank and sticks it in her mouth while she attempts to hack
off her ankle to escape, almost like a bear caught in a trap gnawing
off its foot to escape but without the phallic imagery. Finally the
inevitable alien birth occurs and the movie ends abruptly, like the
cinematic equivalent of hitting a brick wall. Once you watch
Inseminoid you will envy the dead crew members within the film
because they are dead and will never have the memories of this movie
that you will, haunting and taunting you until your bitter end.
The ultra cheap sets and costumes are shockingly very good. The
wobbly ten dollar sets give the movie a feel of “Hey gang, wanna
make a movie this weekend?” and a close do-it-yourself atmosphere is
prevalent. The space suits look like they could have come out of a
Buster Crabbe installment of “Flash Gordon.” There’s a very weird
aura about the picture, one that seems steeped in varying degrees of
psychedelic haze and dread. Of course, funky costumes and garish
sets can only go so far in the giggle factor of a movie.
Inseminoid is one of the more memorable “Alien” clones due to the
controversy surrounding
the movie poster
that was going to be used for the theatrical release. It showed two men
attacked by a creature coming out from between a woman’s legs. It was so
controversial that it was pulled and director Norman J. Warren insisted
on another poster to be made in its place. Warren who was the director
of such English productions as “Satan’s Slave,” “Bloody New Year” and
the lesbian themed alien three-way “Prey” is at his usual, uneven self
here on Inseminoid. There are scenes of attempted atmosphere meshed with
scenes of such ludicrous schlock you’ll wonder if two completely
different people directed it.
The movie lives up to its reputation of “so bad it’s good” and is one of
the more inspired, if horrible, sci-fi shockers out there. Inseminoid
would easily exist in the same universe as such fare as “Forbidden
World,” “Starbeast” and “Creature.” Which one would be leader of the
pack would be a difficult choice for almost anyone to make.
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