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Revenge like anything is best served when in intricate doses. Batman,
The Punisher, Freddy Krueger, they didn't elicit their revenge in bouts
of quick murder and or suicide. They instead withheld the final blow for
as long as they possibly could and made the experience about as painful
and immensely grueling as possible before the final closing shot. That's
the case for "I Saw the Devil" one of the most finely tuned revenge
films ever created. It's not just a movie about a man on a rampage
looking for the monster who destroyed his life. It's about a man
embracing his inner most monsters and destroying the life of the man who
took great pleasure in ruining his. When injecting him with a GPS device
after a vicious beating and foiling of another potential murder, special
agent Kim Soo Heyon vows to ruin every aspect of Kyung-Chul's life,
tracking him in every sorted affair. And when he does, the consequences
of their meetings end in blood shed and broken bones. Director Jee-woon
Kim's horror masterpiece is a revenge thriller of the highest order and
one I took great pleasure in indulging in.
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Because at the end of the day
when life has been taken, sometimes it isn't enough. Kim
begs the question, when is enough actually enough? What do
you do when've savored that final blow and made sure to
impair your menace as much as humanly possible? And when
does the hunt eventually just become pure and utter sadism?
For Soo-hyeon it's not so much a matter of avenging his wife
who was brutally mutilated at the hands of the psychotic
Kyung Chul for reasons never verified, but drawing out the
pain and punishment long enough to make every hack and slash
feel as if it lasted for decades. |
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This inevitably becomes the meaning of
the relationship between the two men pictured, both of whom have
embraced their monsters and find that they're doomed to be at war over
the course of the film as Hyeon catches and releases Chul every few
miles after a vicious beating allowing him to regain his confidence, and
then regaling in the hunt every chance he can grasp.
It allows for a cat and
mouse between the men whom are at incredible unforgivable odds with one
another yet can't seem to stop luring one another in to their eternal
game of cat and mouse that begins in surprises and ends in pure misery
for the prey. Like the modern revenge films, Director Jee-woon Kim
doesn't necessarily spotlight revenge as a sensationalized form of
reparations, but a rotting orifice of the human soul that can consume
and infect even the purest of us. And when "I Saw the Devil" ends, it's
a film that never relents in its ugliness and compelling state of
affairs between two men, one of whom revels in his madness, while the
other is just embracing it. Which character can defined as the former or
the later remains fuzzy until the very end of the film.
These are the
types of revenge films I dream of, it's a compelling and intricate tale
blood soaked vengeance where no one wins and everyone loses. Even the
madmen of the piece. "I Saw the Devil" is a masterpiece of thriller and
horror cinema, and one of the best theatrical releases of 2011.
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