|
HEXEN BIS AUFS
BLUT GEQUALT
|
|||||||||||
|
Originally made to cash in on the
popularity of the 1968 Vincent Price classic “The Witchfinder General,”
Mark of the Devil not only ended up out grossing that film at the box
office but has gained a notorious reputation that makes it infamous to
this very day. The first film to be “Rated V for Violence,” the German
made Mark of the Devil famously offered vomit bags free to paying
customers for those with too weak stomachs to take the atrocities shown
within the movie.
Not content to just explore the themes of accusation and witch hunting, the film presents the whole society as a kingdom steeped in sexual depravity and debauchery. The performances are incredibly strong in this film with more dedication and effort than any of the negative reviews would have you believe possible. Udo Kier and Herbert Lom shine as the fanatical witch hunter and his Lord, and the supremely weird Reggie Nalder, maybe best known to most casual viewers as the Nosferatu-like vampire Barlow in Tobe Hooper’s 1979 television mini-series adaptation of Stephen King’s “Salem’s Lot.” To whet their appetite for violence, the despicable Lom and Nalder indulge in all types of torture of beautiful women, all in God’s name. The pomposity of the Catholic Church is exploited to its full extent as the torturers believe they are justified and beyond reproach since they are doing God’s work, which is a poorly constructed excuse to mask their almost insatiable desire to inflict pain and their unquenchable blood lust. While dwelling on the sensational ad
campaign for the movie or the notoriety it received after its release
mot detractors fail to realize, or possibly refuse to acknowledge just
how well made the movie is, especially despite all the behind the scenes
drama that occurred. The movie is beautifully photographed, with the
locations almost pristine in their beauty. The almost Gothic interior
sets look like they could have come straight out of a period Mario Bava
film. The baroque music by Michael Holm is hauntingly beautiful and just
like with Riz Ortolani’s amazing score for Ruggero Deodato’s “Cannibal
Holocaust” it is hard to believe that such a mean spirited, scandalous
shock film steeped in gore and controversy could offer up such a
stunning score. The music almost is too pretty to be used here, but none
the less sets the mood perfectly and adds so much to the experience of
Mark of the Devil.
|
||||||||||||
|
|
||||||||||||
|
Have something to say about this review? Pop on over to Cinema-Lunatics
and speak your mind in our Answer Back! Forums >> |
|
[
Link to
Us |
FAQ |
Top^
] ¤ ¤ ¤ |