1979
Rated: R
Genre: Horror Suspense Thriller
Directed By: David Schmoeller
Running Time: 1:30
Review by: William Garcia
Review Date: 6/9/08
Special Features:
Theatrical Trailer
Audio Commentary with Director David Schmoeller
Cast Filmographies
Over 40 Full Moon Trailers
TOURIST TRAP

 

There is no denying it, mannequins and dolls can just be creepy. The more human the facsimile the more disturbing it can be. Mannequins especially are eerie, with their not quite formed features, frozen in time…just waiting to move when your eye drifts away from them. Other than a handful of appearances in thriller or sci-fi television shows such as “Twilight Zone” or “Doctor Who,” the potential unease mannequins have on people has pretty much been ignored.

One movie that taps into the fear exceptionally well is Tourist Trap. Produced by Charles Band, who would go on to produce such films as “Re-Animator” and “From Beyond” under his now defunct Empire Pictures and countless “Puppet Master” movies and much more under his current Full Moon banner and scored jauntily by Italian composer Pinno Donaggio, Tourist Trap is about a group of friends stranded at a secluded roadside museum who fall prey to the owner, played my cinema and television icon Chuck Conners, who has a psychic power to control mannequins.  

The film is full of brooding, dreadful atmosphere. The scenes where various cast members are confronted by mannequins or hear whispering voices while the camera lingers on close ups on the mannequins’ painted faces are spine tingling. No review can do justice to the chills that you will feel when you see the mannequins’ eyes move or when the camera focuses on a bunch of mannequins, especially those in the foreground and a real person moves for a split second in the background. There are so many wonderfully scary and memorable moments in this film, from the capture and smothering of a victim with plaster with the intention of turning her into a mannequin by Conner’s supposed brother (a red herring of a suspect), to the army of openmouthed moaning mannequins that plague the virginal heroine Molly, played by Jocelyn Jones.

The movie is very mean spirited, with characters you might not expect to get killed off getting erased in some amazingly nasty ways. I still flinch when Tanya Roberts takes a tomahawk to the back of the head in a scene that aims to distract you in a flurry of activity before suddenly coming to a quiet stop with the almost casual death.

Tourist Trap is easily one of the scariest movies from the late 70’s with many unsettling moments and a story that, while falling under close scrutiny, still manages to hold up. Plus Conners, both as the evil brother Davey with his huge plaster pace and his deep baritone voice intoning “Little Girl!” and the benevolent Mr. Slausen who somehow manages to be both welcoming and perverted at the same time, shines in his role and brings a polished charm to the whole picture.

After spending almost the whole movie establishing characters and setting up some very tense situations, the movie presents us a Scooby Doo-like reveal that undoubtedly was a mind blower for audiences watching at the time, but is a head scratcher when subjected to repeated viewings. It really doesn’t make sense that Conners would use the guise of his maniacal brother to stalk and torment the girls when he could maneuver himself into being alone with
almost any of them and dispatch them as he saw fit or just used his psychic-fueled mannequins to overcome the characters anytime he wished. The ending is also a bit meandering with a seemingly insane Molly driving off with mannequin versions of her friends after dispatching Conners, which ends on a freeze frame that is both silly and confusing.

Other than being just a scary, eerie movie with great performances and creepy situations, Tourist Trap has a personal connection for me. Back when I was a young kid, my older sister and I would spend our Saturday afternoons whenever we could watching monster movies. One local channel, WWOR Channel 9, would usually have a rotation of creature features they would show every Saturday at 1 and 3 in the afternoon.

We were guaranteed that every couple of months the double bill of “Devil Dog: Hound of Hell” would be on at 1 and Tourist Trap would follow at 3. Of course every single time this was on we would both watch without fail. My family is Catholic and my mother always wanted to go to 5:30 Saturday Mass, so my sister and I would always have to stop watching when it was close to church time and go and get ready for Mass. Many years passed before I was able to see the last 15 minutes of Tourist Trap, which ironically were/are the weakest moments in the entire movie.

Some movies, after experiencing them as a child or a teenager, do not hold up as well when you view them years later. Thankfully Tourist Trap, while not the trip into terror it may have been years ago, still holds up today as an effective and creepy little chiller.

 

 

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