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There is no denying it, mannequins and dolls can just be creepy. The
more human the facsimile the more disturbing it can be. Mannequins
especially are eerie, with their not quite formed features, frozen in
time…just waiting to move when your eye drifts away from them. Other
than a handful of appearances in thriller or sci-fi television shows
such as “Twilight Zone” or “Doctor Who,” the potential unease mannequins
have on people has pretty much been ignored.
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One movie that taps into the
fear exceptionally well is Tourist Trap. Produced by Charles
Band, who would go on to produce such films as “Re-Animator”
and “From Beyond” under his now defunct Empire Pictures and
countless “Puppet Master” movies and much more under his
current Full Moon banner and scored jauntily by Italian
composer Pinno Donaggio, Tourist Trap is about a group of
friends stranded at a secluded roadside museum who fall prey
to the owner, played my cinema and television icon Chuck
Conners, who has a psychic power to control mannequins. |
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The film is full of brooding,
dreadful atmosphere. The scenes where various cast members are
confronted by mannequins or hear whispering voices while the camera
lingers on close ups on the mannequins’ painted faces are spine
tingling. No review can do justice to the chills that you will feel
when you see the mannequins’ eyes move or when the camera focuses on
a bunch of mannequins, especially those in the foreground and a real
person moves for a split second in the background. There are so many
wonderfully scary and memorable moments in this film, from the
capture and smothering of a victim with plaster with the intention
of turning her into a mannequin by Conner’s supposed brother (a red
herring of a suspect), to the army of openmouthed moaning mannequins
that plague the virginal heroine Molly, played by Jocelyn Jones.
The movie is very mean spirited, with
characters you might not expect to get killed off getting erased in some
amazingly nasty ways. I still flinch when Tanya Roberts takes a tomahawk
to the back of the head in a scene that aims to distract you in a flurry
of activity before suddenly coming to a quiet stop with the almost
casual death.
Tourist Trap is easily one of the
scariest movies from the late 70’s with many unsettling moments and a
story that, while falling under close scrutiny, still manages to hold
up. Plus Conners, both as the evil brother Davey with his huge plaster
pace and his deep baritone voice intoning “Little Girl!” and the
benevolent Mr. Slausen who somehow manages to be both welcoming and
perverted at the same time, shines in his role and brings a polished
charm to the whole picture.
After spending almost the whole movie establishing characters and
setting up some very tense situations, the movie presents us a
Scooby Doo-like reveal that undoubtedly was a mind blower for
audiences watching at the time, but is a head scratcher when
subjected to repeated viewings. It really doesn’t make sense that
Conners would use the guise of his maniacal brother to stalk and
torment the girls when he could maneuver himself into being alone
with
almost any of them and dispatch them as he saw fit or just used his
psychic-fueled mannequins to overcome the characters anytime he
wished. The ending is also a bit meandering with a seemingly insane
Molly driving off with mannequin versions of her friends after
dispatching Conners, which ends on a freeze frame that is both silly
and confusing.
Other than being just a scary, eerie movie with great performances and
creepy situations, Tourist Trap has a personal connection for me. Back
when I was a young kid, my older sister and I would spend our Saturday
afternoons whenever we could watching monster movies. One local channel,
WWOR Channel 9, would usually have a rotation of creature features they
would show every Saturday at 1 and 3 in the afternoon.
We were guaranteed that every couple of months the double bill of “Devil
Dog: Hound of Hell” would be on at 1 and Tourist Trap would follow at 3.
Of course every single time this was on we would both watch without
fail. My family is Catholic and my mother always wanted to go to 5:30
Saturday Mass, so my sister and I would always have to stop watching
when it was close to church time and go and get ready for Mass. Many
years passed before I was able to see the last 15 minutes of Tourist
Trap, which ironically were/are the weakest moments in the entire movie.
Some movies, after experiencing them as a child or a teenager, do not
hold up as well when you view them years later. Thankfully Tourist Trap,
while not the trip into terror it may have been years ago, still holds
up today as an effective and creepy little chiller.
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