2009
Rated: R for adult language, gore, torture, and adult themes.
Genre: Horror Thriller
Directed By: Rob Zombie
Running Time: 1:41
Review by: Lillian Patterson
Review Date: 8/31/09

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HALLOWEEN 2 (2009)

 

First of all, I need to admit my bias here. I'm one of those people who hates the original Halloween 2 with a passion. I would rather watch ANY of the other sequels, and that includes part 5. And part 6 (and not the infamous “producer's cut” of part 6, either, the theatrical version). Over the years I've heard praise heaped on the original Halloween 2, and I honestly can't see what people see in that dreck. I've watched it over and over and can't see it but anything as a good cure for insomnia. So not only was I excited about seeing the sequel to Rob Zombies 2007 Halloween re-imagining, I was sure that, no matter how bad it might be, it would be better than the original.

So was I right? Well, there's a lot to like about this movie. If you can get past the annoyance at having a different actor play Young Michael in the flashbacks, the opening sequence with young Michael visiting with his mother in the asylum is sweet, and it's a good opening for the rest of the movie (it offsets the mayhem that we know is soon to come). The early scenes where Laurie is found wandering the streets, then later in the hospital where doctors are trying to patch her up, are brutal and effective. Hospitals are kind of creepy anyway, so it doesn't take much work to make these scenes scary (ofcourse, it must take some talent, as the original Halloween 2 was set in a hospital, and that movie still managed to bore me into a coma). It's nice to see Danielle Harris returning as Annie and Brad Dourif as her father. I'm a horror geek, so I always enjoy seeing actors from some of my other favorite horror flicks.

I really liked how Danielle Harris played her character. She's settling back into her new life and trying to help Laurie, her friend, cope with the horrifying things that happened to the both of them when Michael Myers went on a killing spree one year earlier. Harris as Annie is down to earth enough to anchor the rest of the cast even when they explode into theatrics, which in this movie happens a lot (more about that later). Tyler Mane, returning as Michael all grown up, is menacing enough in his role.  

I'm also one of the few people who seems to enjoy the new Sam Loomis. Malcolm McDowell doesn't want to play Sam Loomis as a good doctor crusading to right a wrong, he's a little slimy and skeezy, and he writes his book to profit off his work without much thought of the people he's going to harm in the process. It's an interesting take on the character, and I like the cynical nature of it. Besides, I think seeing a character growing a conscience as the movie progresses and returning to town at the end in a last-ditch attempt to redeem himself is far more interesting as a character arc than watching a guy who was trying to do the right thing all along. Don't get me wrong, I love Donald Pleasance, but I'm just saying that I enjoyed McDowell's take on the character, as well. The showdown at the end of the movie is ten times more effective in this movie, not only because the original Halloween 2 was so bad, but because McDowell managed to wring so much pathos out of his character's transformation.

Wow, I don't even know where to begin. Ok, first of all, I'm a fan of having movies play on people's fears of the dark, and I appreciate how this movie tried to do this, but I'm not exaggerating when I say that at least half of the action sequences in this movie were so dark that I couldn't even tell what was going on. I was squinting and leaning forward and I STILL could barely see enough to make out what was happening. That got old really fast. Not to mention the play of the soundtrack and the background noise was loud enough to drown out some of the most important dialogue in the movie. I'm a fan of loud music and all, but when the background noise is obscuring what your characters are saying, something is wrong here. Coupled with the fact that I
couldn't see anything, it made for a very irritating movie experience. The other people in the theater kept saying “What? What just happened? I can't see anything!” which tells me that it wasn't just me.

Next, I don't know what Rob Zombie was smoking when he wrote this screenplay, but he needs to swear it off before he ever writes again. I'm serious, rehab is your friend, dude. Part of what made the original so enjoyable for me was seeing how much Michael Myers' mother loved him, and watching her fall apart in the prequel because she didn't understand what was going on with her son (the only family she had left). I don't care what anyone says about Sheri Moon Zombie, her performance MADE that prequel for me, and so to see her reduced to a glowing apparition in this movie... it irks me. If it weren't such a huge contradiction of the entire point of the original movie, I don't think I'd mind so much, but when your first movie works so well because it shows evil
intruding upon and destroying a normal family, and then you make a sequel where you're trying to paint the entire family as a bunch of raving lunatics, I get snippy. Yeah, I get it, Michael is deranged and this is all a product of his deranged mind, but I still think it undermines something that made the first movie so powerful, and for me, that cheapened the whole story. The least they could have done is intercut the insanity with flashbacks of what Michael's real family life was like. That would have made it relatable. By the end of the movie I was so deluded by watching Michael's mother prance around dressed like a snow queen that I forgot everything that made her character in the first movie work for me, and that's sad.

Now let's talk about Scout Taylor Compton. I have to admit that I've enjoyed her work in the past, so I honestly don't know what happened here, but she overacts so horribly in this movie that I seriously wanted to walk out. I'm not kidding, in almost every scene she's screaming so loud and crying so hard that I can't even understand what she's saying, and her dialogue is so muddled by her hysterics that I wanted to punch her. I get that she's terrified and traumatized by what happened, but Jesus Christ, Annie went through the tragedy too, and she's not shrieking like a harpy throughout the entire movie,making my ears bleed. Not only that, but her character totally fell apart in the end. As much as I liked the showdown in the final minutes of the movie for how it showcased the change in Dr. Loomis' character, Laurie's character broke down so completely that I don't even know what the hell Zombie was thinking. Yes, shes learned some horrible information and yes, she's going through some horrible things, but she totally loses it to the point where she
doesn't even seem human anymore, and I can't even begin to relate to a character like that. I had no idea where she was coming from, I was confused, I had eye strain from trying to see in the pitch darkness, and I didn't even know what was going on at that point.

Why does Laurie share a delusion with Michael? Why are she and Michael dreaming the same dreams (of their mother as Frosty the Snow Bitch)? Are they both crazy now? If I have no clue what's going on and Laurie is gripped by a psychosis that seems to come from nowhere, I get lost, and I blame Zombie for making that transformation so muddled. Like I said, I know she went through some horrible things, but so did Annie, and Annie didn't go off the deep end. If Laurie and Michael are both evil, then Michael's transformation in the prequel of the first movie isn't nearly as powerful anymore, is it? Laurie starts having these visions and dreams back when she's supposedly “normal” at the beginning of this movie, and it's never explained how she and her
brother now manage to somehow magically share a brain. As much as I thought Laurie's part in Zombie's take on the first Halloween was choppy, at least she acted like a normal human being in that movie, and that made everything happening to her seem even worse. I don't know what the fuck she was trying to do here, but it's really hard to have sympathy for a character that shrieks and cries and overacts her way through a messy performance that doesn't even make any sense unless you forget everything that made you like her in the first movie. Rob Zombie, you know I love you, but seriously, what the hell?

There's enough good to keep me interested, but the movie is dark and messy and muddled in more ways than one. If you wanted to see this movie expand on the story of the original, you'll be sorely disappointed.

 

 

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