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This movie belongs to Jason Sudeikis, who comes off similar to Woody Harrelson in Kingpin, making what should be a star-making turn, but will probably end up getting him great character work for the next few years, just like Harrelson. Owen Wilson is okay. He plays the doting, down-to-earth, nerd very well. Especially since most of his characters have been the goofy weirdo hipster, it’s strange to see him playing this character so well. The supporting cast shines quite a lot too. The women are just kind of there, unfortunately, as Fischer and Applegate don’t get much to work with.
And the cameos/small bit actors all come from other Farrelly movies, like Vanessa Angel in a blink and you’ll miss it cameo, Ed Moran who has been in almost all of their films (he was the bartender in Dumb and Dumber and Vanessa Angel’s evil ex-boyfriend from Kingpin), and other cameos from Alyssa Milano and Andrew Wilson and a small role by the kid from Road to Perdition. It’s just full of people, honestly.
I feel that this movie would have been better served had they cut about 20 minutes of crap. And most of that was filler, scenes with the wives, scenes with the set up, scenes with just nothing happening. There is a lot of that. The movie works best when Sudeikis and Wilson and their friends are being idiots or when they’re out trying to score. It does not work when they are discussing the future with their friends, or their wives, or their families. There is one scene, specifically, in which Joy Behar explains the Hall Pass idea, that just stops the movie immediately. It comes out of nowhere, it makes no sense to even be in the movie, and it shows just how bad of an actress and how lost these three women are in this movie. If this had been one of those movies where the guys were given the Hall Pass off screen, we were given some kind of explanation about it, and all we saw was them grappling with the idea of being free or staying with their wives, it would have been a better movie, and would have gotten more stars too.
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