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2008 |
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Rated: R for graphic
violence, gore, disturbing imagery, strong sexual content, and
graphic language. |
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Genre: Drama Thriller |
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Directed By: Vadim Perelman |
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Running Time: 1:30 |
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Review
by:
Felix Vasquez Jr. |
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Review Date: 6/30/08 |
Special Features:
Not Announced |
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THE LIFE BEFORE
HER EYES
[Spoilers]
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I know I’ve said
this before but, if David Lynch made dramas, I think “The Life Before
Her Eyes” would be the movie he’d direct. It’s an elaborate and crushing
tragedy that unfolds layers of melodrama and hidden meanings that writer
Stern leaves cleverly ambiguous for the audience to decide long after
the credits have rolled. What would you do to save your own life? Could
you live with yourself if you made a decision that would greatly affect
someone else in order to spare your own misery? And more so, how far
would you go to save someone else’s life in the midst of a senseless
event? Likely to go on my top 10 of 2008, “The Life Before Her Eyes” is
a drama that mixes social commentary, existentialism, and mysticism with
a dash of alternate reality-time travel trickery to tell the story of
Diana and Maureen, two best friends in high school who one day find
themselves in the middle of a vicious school shooting unfortunate enough
to be standing in a bathroom with no place to hide. Director Perelman
takes this time to completely leave this situation in the air as we cut
back to Diana in her present where the anniversary of the school
shooting looms.
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Diana finds
it impossible to acknowledge it, and we’re given a glimpse
in to the world of a woman impossibly destroyed by this
tragedy. But as vivid imagery and brilliant jumps from past
to present fill our screens, Perdim begins to strikes toward
the audience where he asks us what we would do in that split
second, that moment where we’re forced with a decision that
could affect everyone around them. Perdim constantly
switches plot elements, destroys all sense of continuity and
logic, and for good reason. |
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While I found myself
utterly confused and pointing out the sheer errors in timeline, I later
began to realize what Perdim was going for, and everything “The Life
Before Her Eyes” purports to be in the first half completely undermines
our expectations by taking a second look at fate, and morality. How far
would you go to save yourself? How far would you go to save someone
else? Respective cast members Evan Rachel Wood and Eva Amurri are
utterly fantastic as the polar opposite best friends Diana and Maureen
who come of age in their small town. The story shifts back and forth
from the events leading in to the horrific shooting, to the struggles of
Diana with her relationships. Uma Thurman is especially good as the
adult Diana who has difficulties discerning imagination from reality in
her life, and can barely cope day by day with her anxiety let alone her
rebellious young daughter looking to test her mother’s discipline as far
as she can. “The Life Before Her Eyes” doesn’t particularly jab at the
issue of school shootings, and doesn’t try to pick apart reasoning and
the pure vicious act of murder. Instead it simply asks us a question
that seems so simple, yet is nearly impossible to answer until we’ve
been there.
It’s an
underrated, and horrific little dramatic thriller that twists the noose
at every turn with a story that unfolds more and more to where we’re
never sure what to make of it. When we finally have figured it out,
Perdim leaves many more questions for us but has left us with a
beautiful statement about our own courage in the face of death.
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