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I reviewed "Lunch Break"
back in 2005 for Film Threat, and receiving it again to review for my
own site is quite an interesting experience. Re-watching it reminded me
what a joy it was to watch the first time experiencing a short mock
documentary centered around the working class and their reliance on big
corporations to get by and support their family. John W. McKelvey's
short film is about something, and in the midst of a really bad
repression where everyone is losing their jobs and working for basically
nothing, "Lunch Break" holds a deeper social relevance now than it did
five years ago. People are at a point where they're sacrificing
everything from their personal happiness to their dreams just to get a
paycheck and survive another day, and "Lunch Break" has a resonance to
it that reaches toward the audience or anyone who has ever been in a rut
at a dead end job. A documentary crew decides to chronicle the life of a
working mom who is struggling through life trying to get an education
while also working at the local supermarket.
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The young
woman is very well educated and highly intelligent thus
defying the normal pre-conceptions of minimum wage workers.
The young woman being profiled could very well be an
executive if she had the chance. She knows the ins and outs
of the corporations, she knows how the managers work, she
knows who is going to be fired and who isn't, and she has a
lot to say about the politics and nepotism that decides who
works and who is forced in to unemployment. |
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Tiffany Anne Carrin gives a strong performance as this young girl
with more responsibilities than anyone she knows, and she's
unfortunately stifled by her inability to pursue her potential.
Sadly, like everyone else of her kind she won't be listened to
because she's merely a dollar figure and a drone to the people
deciding her fate. She has major aspirations and is on the verge of
obtaining the education she desires but is forced to basically stick
to her job because she needs to put food on the table and focus on
her duties as an employee at her supermarket. Like many of the
workers in America you're either forced in to subservient work that
hinges on the decisions of managers or you end up in a corner where
it's now impossible to crawl out of and reclaim some of your dignity
and impetus, and in the climax, McKelvey makes it clear where this
young woman is headed and how the snake has basically eaten its own
tail and may continue to do so indefinitely. McKelvey's film is
fiction but it feels entirely like a documentary because the issues
and the human condition focused here has never been more powerful as
they were since the film was originally conceived.
Speaking as someone with a friend whose very livelihood and financial
standing depends on the decisions of corporations and contracts and
unions, "Lunch Break" is a mock documentary that is relevant in every
sense of the word standing as a realistic look at the plight of the
everyday worker that speaks more about their situation than any
documentary usually can.

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