2006
Rated: Unrated
Genre: Documentary
Directed By: Alison Chernick
Running Time: 1:12
Review by: William Garcia
Review Date: 5/5/08
Special Features:
Interviews
Featurettes
MATTHEW BARNEY: NO RESTRAINT

 

This documentary by Alison Chernick follows Matthew Barney as he and his entourage, including his wife, singer Bjork as they film his latest art film Drawing Restraint 9.  It involves his crew and a Japanese whaling ship, strange rituals and a tank filling with 45,000 pounds of petroleum jelly.  This film shows Barney to be a dedicated artist, in love with his craft but in love with his notoriety a bit more.  Various art gallery owners, museum curators and critics share their points of view on Barney’s career. This film is an interesting look on how someone prepares to film an equally bizarre film of their own.

I often wonder why so-called artists make films that would appeal to about zero percent of the population in a bid to get noticed.  This film shows Barney to be pretentious and seemingly believing himself on a plain that is higher than others.

Once you get past the ambitious absurdity of Barney’s latest challenge, it appears that the usual artist’s goal is not for his work to be embraced or even noticed but for people to remember him. It is one thing for a distinctive style to be attributed to an individual, but to stage offbeat attractions reeks of nothing but self promotion, which has more to do with pride than it does art.  This film does its subject no favors.  

It does show the dedication and interest of the man in his work, but also shows just how someone can hide behind the theory of artistic expression.  It also fails to give the audience an insight into what Barney’s motivations are for his work.

The film aims to champion Matthew Barney, but just ends up making him look stranger in the process.  I would have liked to see more interviews with Barney and more insight and self revelation into what makes him tick.  We’re given a standard behind the scenes documentary on Barney’s in process film, but in the basest sense possible.  It’s a by the numbers love piece, not aimed to question or examine the artist’s ideas whatsoever.  Without the reason or the desire behind the man ever presented, why should anyone care what the outcome of Barney’s vision even is?

 

 

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