|
MASTERS OF HORROR:
SOUNDS LIKE
|
||||||||||
|
Larry is a bittersweet character with a powerful position, and a wonderful gift, yet he’s empty, and his gift is backfiring. Bauer’s performance as this company drone who is beginning to suffer from the audible sounds all around him is engrossing, and I enjoyed the basic atmosphere of the void and vast within this man’s mind. Anderson creates a sense of madness within an ability that many people would kill to have, and “Sounds Like” is basically a man who is tired of listening. He listens to problems, complaining, to the conversations from his talkative lonely wife, and to sounds both big and small, and he doesn’t know how to stop. “Most people are afraid to listen,” says Larry, “They’re afraid they’ll hear what’s behind the noise.” And Anderson shows how his physical ability becomes a metaphysical ability. His power becomes rooted in emotion and then it begins driving him mad. He begins hearing addictions, yearning, and basic needs, and then it’s not so much about noise, but about a man who can’t escape his life and guilt as hard as he may try. The noise is more symbolic of his responsibilities, and life that he tries to get away from, and the tension rises as the noise becomes so much louder and painful.
|
|||||||||||
|
|
|||||||||||
|
Have something to say about this review? Pop on over to Cinema-Lunatics
and speak your mind in our Answer Back! Forums >> |
|
[
Link to
Us |
FAQ |
Top^
] ¤ ¤ ¤ |