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Truth be told I'm not too surprised that "Nothing Like the Holidays" has
become an obscure holiday film in spite of doing everything right in
terms of holiday films. It's called "Nothing like The Holidays" for a
broader appeal, considering most Puerto Rican families celebrate
Christmas strictly, and yet it's still a shelf filler after its release
in theaters because let's face it, there's not a Caucasian face among
the cast. America loves the plight of the American family filled with
blondes and brunettes while something like "Nothing Like the Holidays"
which is essentially a film about a family trying to deal with their
demons and unrequited emotions, is pushed to the wayside. There's not a
single Caucasian persuasion in the cast aside from Debra Messing (for
broad appeal, obviously) who we're consistently told is a Hispanic
woman. But we know better than that. "Nothing Like the Holidays" is the
type of ensemble dramedy that I always wanted to see, a film about the
Puerto Rican family coming together on Christmas to deal with their
lives and face some hardships. True, none of my Christmases involved a
lush house, and plenty of food, but it's a very entertaining glimpse in
to a Puerto Rican family, all of whom have to deal with their new lives
at the cusp of a new year. Compiling an incredible ensemble cast of some
of the best Hispanic actors in Hollywood, director Alfredo De Villa
completely breaks away every cliché and stereotype in the book to
portray a typical lower middle class Puerto Rican family, all faced with
turmoil in their lives that could bring them together or split them
apart for good.
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Remaining truly relevant to the plight of the Hispanic
family, the cast represents every form of the Hispanic
individual in America, most of whom are looking for a
purpose in this world, and struggling to find fulfillment in
their lives that doesn't entirely involve adhering to the
social norms that would be demanded from the Puerto Rican
male or female concerning gang members and drugs. DeVilla
definitely doesn't reduce the characters to stereotypes, but
he's not above creating a far-fetched idea of the Puerto
Rican family, exploring their unusual in-jokes, their
capacity for having conversations that sound like loud
arguments (been there), and their odd rituals applied toward
making food.
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Villa is
perfectly capable of doling out individually compelling sub-plots
for every single member of the cast, particularly for cast member
John Leguizamo who is memorable as the successful oldest brother
Mauricio who is watching the family he knew fall apart before his
eyes and does nothing but run away and struggle to fool himself in
to thinking family life is still the same when he was a child.
Freddy Rodriguez is excellent as the war veteran Jesse who copes
with his new environment begrudgingly and must deal with the
impending marriage of his ex-girlfriend Marissa (Melonie Diaz is
graceful in this supporting performance), all the while folks like
Vanessa Ferlito, Luis Guzman, and Jay Hernandez respectively add
some much appreciated support as family members who watch the chaos
from a distance and must keep up the morale. I especially love
Guzman as uncle Johnny, the eccentric unofficial uncle of the
family. The weight of the film is held by Elizabeth Pena and Alfred
Molina who are very charming as the long lasting parents of their
large brood who have their own secrets that promise to bring their
children to their knees. The writing team of Rick Najera, Ted
Perkins, and Alison Swan really do pay respect to the culture and
the bonds that bring family closely, and stick true to the spirit of
the piece. "Nothing Like the Holidays" is free of the typical
Hollywood conventions of the average Hispanic American, and for once
it's fun to see an ensemble holiday film revolving around the
average Puerto Rican family, instead of yet another middle class
"American" family we've seen a thousand times over.
I swell with pride at
this film as it's a respectable and thoroughly entertaining exploration
of the bonds of a tightly knit large Puerto Rican family, and their
coping with maturity, relationships and potentially tragic events. Free
of clichés and plot devices, this is an ensemble film I highly suggest
for any audience in the spirit for something completely different.
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