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I had sky high expectations for this movie, but I wasn't worried because
Guillermo del Toro has never let me down with a film, and this one is no
exception. What an engaging fantasy! The cruelty of the real world in
which this little girl finds herself is enough to make my skin crawl.
Sergi López does such a great job being despicable that I despised him
before I even laid eyes on his character. Ariadna Gil is perfect as the
sickly pregnant mother who wants nothing more than to give her children
a better life, thus I couldn't blame her for what she did even when she
united with a terrible tyrant who treated her like a baby machine
instead of a person. Maribel Verdú as Mercedes is perfect as the servant
who serves as a second mother to Ofelia both before and after her mother
dies, and we cheer for Mercedes as she leads a double life, secretly
defying the Capitan and helping the insurgents who are trying to bring
him down. Doug Jones is the perfect fairy tale guide, at turns both
enchanting and foreboding as he leads Ofelia through her tests to prove
she is worthy of the title of princess. And of course Ivana Baquero's
performance shines as she plays shy, timid, childlike, loyal, virtuous,
and ultimately triumphant in her own mind. It's very rare that a movie
makes me wish I had kids I could watch it with (in fact, the last time I
really felt that way was when I was watching del Toro's The Devil's
Backbone) but this movie perfectly captures the perilous and adventurous
spirit of stories I remember fondly from my childhood.
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Some would balk at that statement because of the subversive
nature of the violence in this movie (and when the few
scenes of that nature come, believe me when I say they are
both extremely subversive AND violent) but it's the contrast
of the childlike fantastical journey contrasted with the
violence and terrifying sadism of the Capitan in the "real
world" that I love most about this movie. Ofelia's
journey is not an easy one as she must prove her worth as
royalty all the while struggling with a twisted stepfather
and ailing mother. |
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It's never fully clear, even at the end of the movie, whether
Ofelia was crazy or whether her fantasy world was real but either way,
she embraced her destiny and proved her valor by the end of the movie.
Truth be told, nothing in this movie is easy. As much as the Captain is
a despicable scumbag who deserves his fate, he really did love his son
and I was surprised to feel a twinge of sadness for him at the end of
the movie. Ofelia's mother loved her daughter and unborn son but she
also bound her fate to that of a tyrant so it's possible to want to
smack her even as you're sympathetic to her plight. In true journey
stories, nothing is easy, especially within the framework of an adult
world where "right" is represented by a power hungry bastard like the
Captain and "wrong" is a traitor who is as virtuous and motherly as
Mercedes. Who wouldn't choose fantasy when faced with a reality like
this? And what truly is reality? Regardless of what may be "real" and
what may be the workings of a young girl's overactive imagination,
Ofelia is happy, loved, and at peace within her world, and that's all
that matters.
The gore, when it appears even briefly, is well done. I admit it, I
flinched. I'm not as desensitized as I sometimes appear. And the
computer effects are never hokey, instead they add to the magical feel
of the fantasy world in which Ofelia finds herself.
Honestly, I can't think of one negative thing to say about this movie,
so well did it transport me into its world. I was so enthralled by this
movie that I didn't want to see it end. Del Toro has created another
fantastic fairy tale world that I won't soon forget.
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