POGROM #1 OF 7

 

Bored. Tedious. Rambling. Weird. These and many more synonyms were my initial reactions to "Pogrom," a mini series from DDP that is (so far) so unequivocally boring, I couldn't keep my focus for more than two pages. "Pogrom" sets down on a futuristic world where a vicious plague has taken most of humanity. The surviving world is kept in check by Religious funded officers and medic teams who learn the disease was only the first wave, as a demonic being has resurrected a former holy leader and recruited him for his army of the seven sins. "Pogrom" has so much potential, but alas it's wasted in 44 pages of endless rambling and self-aware diatribes that keep it so unnecessarily verbose without ever adding a sense of relevance to any bit of dialogue spoken by the characters.
 
Though Tomao gathers an interesting array of villains in the form of the seven sins including the sexy Lust, the unusual Envy, and the rather imposing Pride, the lead monster really is nothing more than a cliché who eats bugs crawling on its skin and has a purpose that, so far, seems much too convoluted to enjoy. The resurrection of this religious leader whom we discover had a sinful life as a pedophile and a warmonger are interesting and will create meaty confusion among his followers who see him lead the charge of the seven deadly sins, but when this new warrior emerges to--apparently--battle the seven sins, this being is boring from the outset. From his endless inner monologues, to the unusual character motivations, right down to the foggy ending that leaves nothing for us to sit on, nor does it really draw any suspense or questions. Josh Medors art is rather specifically tailored to the intended grim and gothic tone set for this monotheistic apocalyptic world, but fails to accomplish any sense of genre standing throughout the entire issue. Is it a fantasy? Is it a religious miniseries? Is it a horror book? Or is it just a Lovecraftian story? The hero's motivations and inevitable origin is confusing as it suddenly emerges from the tomb with a curious motive. Is this the reincarnation of the pope general? Or is it a manifestation of the mask? And what is its goal as being? I couldn't decide, nor could I really put two and two together, which takes a lot of doing with a comic for me. "Pogrom" will have the same theistic themes to play to the inevitable war, but the whole point is lost in the hail of endless meandering, and a murky muddled plot.

 

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