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When I first watched
director Anthony Spadaccini's creepy little serial killer picture "Head
Case" a few years ago, it freaked me out. This surprised me. Movies
don't usually get under my skin anymore (I've seen too many) and this
movie was one of those "found footage" deals where the opening credits
report that the movie is actual home video footage of actual events.
You know the story. There have been several of these movies released
since "The Blair Witch Project" burst onto the screen and made a bunch
of money, but that movie didn't impress me. All I could think the
entire time was, "wow, the production assistants are scratching at the
outside of the tent. I'm shaking in my boots." I soon developed an
intense dislike for any movie that tried to use this "we're totally made
from real footage and stuff" gimmick in order to sell a film. It's
lazy. If I could shoot the movie in my backyard, it isn't likely to
impress me (though I hope I'd come up with a scarier gimmick than
production assistants scratching at the outside of a tent). In recent
years, however, I've seen a few of these "found footage" type movies
that I actually enjoyed, and I've discovered that when they get it
right, they really get it right, and they scare me in a way that other
movies can't, because the footage looks real. It looks like something
my neighbors shot in their houses, and that makes whatever events
transpire seem more believable to me. Which is scary when the movie in
question is about normal people who could BE your neighbors who happen
to enjoy killing people and capturing it on film. "Head Case" was the
first movie in the trilogy, and it told the story of Wayne and Andrea,
two normal looking people who like to lure people to their house, drug
them, and torture and kill them in the basement.
"The Ritual" was the
second movie in the trilogy, and it followed the continuing adventures
of Wayne after he went on the run from the police and decided to train a
protege to continue his killing legacy. "Post-Mortem" continues the
story, this time focusing on John, Wayne's stepson, who is also a serial
killer looking for an apprentice; someone to carry on his work. John
eventually latches onto a teenager named Seth. Seth comes from a
horribly dysfunctional family. His parents use drugs and they are high
most of the time, so they ignore their kids. They also don't pay the
bills, apparently, so they get kicked out of their house and move in
with their drug dealer (great environment for the whole family). Seth
is angry, depressed, and suicidal, and to be honest, this is one of the
reasons I was hesitant to watch this movie at first. I've known a lot
of people like Seth. When I finally got to see the movie, it didn't
disappoint me. Seth was a little too familiar to me, which made
everything happening onscreen hit me that much harder.
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Seth records
a lot of entries into his video diary, which provide the
basis for the internal monologues in the movie when we get
to see what's going on inside Seth's head. We also get to
hear a lot of John's thoughts and get a peek inside his
head, which is a very scary place to be, trust me. He's
creepy. He's the person (in the whole trilogy of films full
of creepy serial killers) who creeps me out the most. The
way he talks about killing and what he gets out of it and
why it's easier to manipulate adolescents (which is why he
picked Seth to carry on his work) is freaky. |
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It's even freakier
because he speaks in this calm, nonchalant voice, like everything he's
saying is common sense. He explains how killing people is like fishing,
you bait the hook, reel in the victim, the victim tries to get free but
can't, then the victim dies...I want my mommy. These movies got kind of
complicated as the story grew throughout the course of the three films.
I was reminded of the Saw movies (I mean that as a compliment because
I'm one of the people who loves those movies) as I tried to keep the
story straight between the three movies and remember who everyone was
and what they were doing. I like how this movie gives some more
insights into the events of those movies, and we get to see the lovely
Brinke Stevens again in her role as Wayne's mother, which is an added
bonus. I've loved her since I saw "Slumber Party Massacre" in the 80s,
so it's always a treat to see her onscreen.
This movie is disturbing in a way the other movies in the trilogy
weren't for me. This isn't to say that I didn't enjoy those movies,
it's just that the character of Seth really got to me, so I felt more
involved with this movie than I had with the other two. When John
promises to set Seth free from his horrible family life, I feel for
Seth, because he's just happy that someone finally took an interest in
him for once in his life, and the more he falls for John's lies and
rationalizations, the more I wanted to jump through the screen and drag
him away from the hell for which he was headed (except that I don't want
to jump into a world where John actually exists, thank you very much).
Even if you don't usually like "found footage" type movies, I suggest
that you give these movies a chance. They're disturbing in a way that
many mainstream movies can't even touch because these movies go places
those movies won't.
While I was watching the
movie, I heard something scratching outside my apartment door. I opened
it to see a man standing in the outside hallway, smiling at me. He then
began to walk backward down the apartment stairs. I watched him until
he disappeared into the darkness. Needles to say, this gave me an extra
little heart attack to go along with the one I was already having
because of this movie. I locked my doors and still couldn't sleep for
the rest of the night after the movie ended. If you, too, think sleep
is for the weak, you might enjoy watching this movie. In fact, watch
the whole trilogy, and when "S.K.I.N.S." comes out (the companion DVD to
the trilogy which gives a closer look at the serial killers featured in
these movies) watch that, too. Then see how much sleep you'll get.
I'll be there to make scratching noises outside your door every time you
even THINK about going to sleep. Sweet dreams!
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