2009
Rated: R for violence and adult language.
Genre: Crime Gangster Thriller Drama
Directed By: Michael Mann
Running Time: 2:20
Review by: Momar Van Der Camp
Review Date: 7/20/09

AddThis Social Bookmark Button

Digg!
PUBLIC ENEMIES

 

It goes without saying, Johnny Depp is just awesome in this movie. Think DeNiro and Pacino in Heat and instead you have Depp and Bale in Public Enemies. It’s essentially the 30s version of Heat, but Depp and Bale are great.

Depp plays the character like a human being, similar to how he always does, not some over-the-top, larger than life figure from fiction that he could have played him as. He makes the tough choices and judges the world in black and white and yeah, he’s similar to a Robin Hood.

And Bale, his opposing figure, cuts a figure that is trying to put his best foot forward against a person America has fallen in love with, and instead, he’s the villain in so many people’s eyes. Bale is a character actor who pisses me off on one movie and makes me love him the next (see Terminator for the movie that sucked this year). But here, he strides through the film, shoulders shrugged, and I loved every minute of it.

There is just too much going on. Simply too much. When Heat came out, there weren’t many things like it, now, we’ve been inundated every year with 6 movies or more similar to it. So Public Enemies just feels like an also-ran at this point, not a game-changer.

There are too many familiar faces that show up all over the place for no reason. It’s like a Hollywood version of Who’s Who when you’ve got a scene with Leelee Sobieski and another with Claire from Lost and Deacon Frost from Blade and David Wenham from 300 and so many other people that you just want to shake Michael Mann.

I mean, did Pretty Boy Floyd really need to be played by that Step Up jackass? No, no it didn’t. When you realize it’s him, you just shake your head.

A lot has been said about the filming itself, and it’s horrendous. It seems to be so crapshot, so all over the place that you just can’t figure out what he was thinking. Collateral is the last actual good movie he’s done. This film has problems all over the place, and it all starts with the camera work. The digital camera work is just horrendous. In some scenes you’re watching a film, and the next you’re watching a reenactment from Rescue 911. It makes no sense.  

It might feel realistic, but to someone who loves film, it just leaves you wondering, what the hell?

And the sound is off all the place, probably because of the cameras used. You can tell when we’re getting ADR work because you can tell what people are saying, and other times, when it’s all captured on the one camera, you’re looking around to make sure maybe someone heard what was said. 

And the length of the film is bad. It drags. And drags. And when you watch a long film, and you can pinpoint at least 10 scenes that you can cut, you know there is a problem.

Not the same piece of crap as Terminator Salvation, and surely not the best piece of cinema this summer, you have to feel bad for the actors involved. This could have been a great crime drama, but instead, it’s slightly better than Last Man Standing. Ask for more in your crime films people.

 

 

Have something to say about this review? Pop on over to Cinema-Lunatics
and speak your mind in our
Answer Back! Forums >>

 


[   Link to Us   |   FAQ   |   Top^   ]
All written reviews material and content are a copyright of Felix Vasquez Jr. and Cinema Crazed.
Content borrowed without written permission will not be permitted.

¤ ¤ ¤