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BLOOD
DOLLS
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Then for no reason whatsoever, Mr. Marscaro breaks the fourth wall, speaks to the audience like Elmer Fudd in "A Corny Concerto" to explain to us that he was always a fan of happy endings and just for his own satisfaction he's going to show us the happy ending. So we not only have to sit through villain Virgil dying off, but in the alternate ending where Virgil marries his hostage and bride to be Moira with the rock band playing his music and his trio of puppets watching like kids as they perform their vows to one another. Why? I'd be lying if I told you I knew, but all I can chalk this is up to is that Band wanted to kill Virgil, but at the last minute wanted to leave the door open for a sequel, so he offered an alternate timeline for an excuse for a "Blood Dolls II" hoping we wouldn't care. I did. I remembered watching this on cable one night and sitting up from my chair thinking "Are you kidding me with this crap?" It's not even funny bad, it's just bad. It's not even trying. If I wasn't so painfully aware that Charles Band directed this, I'd peg "Blood Dolls" as a rip-off of the "Puppet Master" series with a slew of small killer puppets who represent edgier versions of their predecessors (a killer pimp puppet... wow) except they're not the least bit interesting or fascinating. They're just pale carbon copies in a movie severely lacking in quality and or entertainment value.
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